Heidemarie Schneider

Susanne is a young single mother who lives a somewhat "carefree" lifestyle. After quitting her job, she finds herself in trouble financially and attempts a minor insurance fraud to make ends meet. Despite its rare view of everyday socialism from a woman's perspective, East German officials were critical of this frank portrayal of a less-than-ideal socialist citizen and turned down all invitations for the film to be screened abroad.

Eight space cargo-ships disappear without a trace within three days, and the orbit station "Margot" has suddenly fallen silent. It’s down to science officer Maria Scholl to find out what happened to them.

After the fall of the Berlin Wall, Cosima Richter's East Berlin apartment building is to be renovated. Cosima is furious about the project and visits the landlord to dissuade him from his plans, but she is shocked when she comes face to face with a homeless alcoholic. Her plan is in danger of failing unless she can turn the bum into a decent person.

In a small town, everyone has tried to forget what happened shortly after WWII. That is, until a stranger finds a book that Jadup (Kurt Böwe) gave to the young refugee Boel (Katrin Knappe), who resettled in the town over 30 years ago. Painful memories about Boel and the post-war period begin to surface and shake up the whole town. Boel vanished back then and nobody knew why. Word spread about a rape and some tried to blame a Russian soldier. Jadup, the town's respected and popular mayor, remembers, though, how he mistrusted Boel and did not help her through this difficult time; HE didn't even notice THAT Boel loved him. Jadup's confrontation with the past gives him a new, critical view of his current situation and surroundings.

Hoffi is starting fresh after his release from prison. He travels with his brother to different construction sites in search of Urban, an acquaintance and role model he met during a brief hospital stay. Along the way, Hoffi meets Gila, who sees beyond his past in prison. Despite disapproval from her family, Gila decides to build a relationship and future with Hoffi, but Hoffi initially hesitates at this responsibility. It takes the encouragement of his workers’ brigade for Hoffi to realize his mistake and give his relationship with Gila a chance.

Old Otto Gratzick is a porter at DEFA and a great admirer of Asta Nielsen. When the famous actor Hermann Gschwindner dies shortly before the end of his film, the director is looking for a double for the final scenes and discovers Otto in the movie theater, who has just been moved by Asta again. Otto takes on the task. He also places a marriage advertisement looking for a woman who resembles Asta. The first date with Astrid, who does indeed look like Asta, is a flop. Otto falls asleep. He tries again with her - as Hermann Gschwindner - and is successful. He is recognized in a hotel bar and asked to perform a song. Everyone, including Astrid, is entranced. After a few complications, his real identity is revealed - Astrid had also done a lot of work to look like Asta.

35-year old ballet soloist Peter ends his career as a performance dancer and, on the occasion of his last stage performance, looks back on his career and his life. Peter′s retrospection is centred on the relationship with his professional and romantic partner Lotte, who he had once met at a joint performance. Peter remembers the landmarks of their love: their marriage, their child, and Lotte′s severe illness that threatened to end her career. In flashbacks, the film shows how the couple survived this crisis by working sacrificially to return to the stage and celebrate international success.