Pedro Urano

The film tells the saga of Guima, a young poet who believes he suffers from “solar ultra violence” during the hottest summer in 50 years in Salvador. The alleged disease is caused by the relentless heat that hits the city. Under the marginal eyes of Guima, in a mix of reality and fantasy, the film presents a tropical/chaotic Salvador, as opposed to the stereotypical city seen in postcards, on a journey of a search for a redemptive air conditioning that can rid this contemporary antihero of what suffocates his existence.

Through deep examination, this documentary from Oscar nominee Petra Costa explores the profound impact of evangelism on Brazil's political landscape.

A quasi-musical approach on contemporary urban life that reflects Brazilian society and many others throughout the world, this documentary describes at the same time a place, a city and a country. The real place, a neighborhood in Recife, encompasses all of the Brazilian way of life, highlighting a reality that is before us but often goes unnoticed

Nannies combines autobiographical elements with a reflection on the presence of nannies in Brazil. With a subjective narration, the film incorporates photographs, domestic footage and newspaper adds from the 20th century, as well as contemporary images of nannies and children, building a personal narrative about the presence of nannies in the daily lives of many Brazilian families. A situation where the affection is genuine, but does not dissolve violence and racism.

Torquato, a widowed taxi driver with no money to make ends meet, struggles to bring some joy to his young daughter, expressing his frustrations and perseverance through songs.

On the triple frontier between Brazil, Colombia and Peru, the twin towns of Letícia and Tabatinga form an urban island surrounded by the Amazon rain-forest. Following the ordinary events and the constant come and go of people along the border, Terras portrays the presence and the influence of the frontier on the lives of its inhabitants.

Large boats navigate the Amazon River daily, transporting people, animals and goods. This film portrays one of these trips.

Brief view of the life of a Rio night artist.

Amidst the sparkle and the glamour five 3 - 5 year olds compete to be crowned Mini Miss Baby Brasil. Filmed entirely from the perspective of a 4 year old the film provides a unique insight into a young child's experience and their innate capacity for resistance in a world dominated by adult norms & desires.

A symmetrically divided building: on one side, an important public hospital, on the other, a bewildering ruin. On the horizon, Rio de Janeiro, public health, education and Brazil’s aged modern project. Shot entirely in the monumental and only partially occupied modernist edifice of the University Hospital of UFRJ. A material metaphor of the Brazilian public sphere and its political maze. A synthesis architecturally expressed of the modernist utopia/dystopia.

Kelly is an electronic forró singer in search of ascension. She does shows in the backlands of Brazil, but does not have many opportunities. For her career to become a success, she ends up killing some people along the way. Investigated for the murder of three men, she uses her itinerant presentations as an escape tool as she becomes known as Serial Kelly.

Intervalo Clandestino is a documentary that seeks to translate the state of mind of the Brazilian people in the face of the country's social and political reality. The film seeks to show the role of politics and its practical effects on citizens' lives. A broad reflection emerges in the anonymous voices surprised at random in the crowd. They are ordinary people, from different professions, with different visions, who speak to the camera about their impressions, desires and frustrations, discussing politicians, voting, corruption, distrust and the future of Brazil.

Filmed in Rio de Janeiro, the film follows the World Cup from the point of view of two groups of young people from Rio: one that meets at the traditional fan stronghold in the Tijuca neighborhood, Alzirão, and the other made up of young people from the Frente Nacional dos Torcedores. While the first group dedicates itself to decorating its street in green and yellow, adorning it with banners and setting up a large screen to welcome thousands of fans, the other has an important political role on the streets, questioning the process of elitizing football, the high ticket prices and the billions spent on stadium renovations.

An experimental trip about Brazil after H.O.

Filmmaker Sandra Werneck interviews remarkable women such as Marieta Severo, Zezé Motta, Margareth Dalcolmo, Conceição Evaristo, Denise Werneck, and Iole de Freitas for a journey of shared experiences that challenge stereotypes of female aging. From work to love life, from health to sexuality, these women share their stories, reflections, and life lessons, offering inspiration and raising questions about what truly matters when one reaches maturity, while also highlighting the hardships and misfortunes of aging.

Road movie through Peru, Buenos Aires, São Tomé das Letras, Recife and São Paulo, but with no defined destination. It records the lifestyle of those who live free in the world, nomads in the sub-continent of Latin America.

A film like a monument: Luz nos Trópicos is a tribute to the rich greens of the Amazon and the forests of New England in winter, celebrating the indigenous peoples of continental America and flowing as a film as freely as a winding river.

Vacation time, summer camp, a place where cellphones are kept safe and the kids have to do outdoor activities. For the first time, Laura tries to adapt to the group.

In 2008, a corpse identified by the police with the birth certificate of the writer João Paulo Cuenca was found in an occupied building in Lapa. Inspired by this fact, the movie investigates the theft of the author´s identity in a ghostly Rio de Janeiro and in deep transformation. If in fiction and in crime sections of newspapers it’s common to read about people who steal the identity of someone dead to start a new life, what we have here is the opposite case: someone who steals the identity of a living man to die in his place.