Marie Kooyman

Overstimulated by flamboyant props and distracted by extravagant queens pacing up and down the rooms and corridors, one easily forgets the 18th-century country house serving as the backdrop in Tadzio. Yet this imposing bourgeois mansion was the starting point of it all, as well as the only constraint the directing duo of the short film had to consider. An eminent Dutch cultural critic, Els Hoek, challenged several artists to feature this particular place in an audiovisual artwork. She provided them with a generous budget and left them to do the rest. Three films emerged from her idea – Tadzio among them.

In an Escher-like staircase, two characters, a man a woman, move around each other, in full view of the bizarre objects in the space: an infinite clock, a miniature surveillance camera, the hose of a vacuum cleaner. The camera always chooses a subjective point of view, namely from the vantage point of one of the objects or characters, who lose themselves in a game of attraction or repulsion. A surreal universe.

Because of her incestuous past Charley (Marie Kooiman) refuses to talk. Together with her friend she invites men to her house, seduces and poisons them and removes their male parts. Then it is revealed that she can talk after all.

Tragicomedy about two brothers who married two sisters, walking the streets of Deventer at night lamenting the fact that each should have married the other one's wife.

Patrick Dench is a successful loudmouth barrister and professional womanizer who treats everybody with disrespect but still manages to bed every beautiful woman in sight.

A lawyer must defend a nightclub owner accused of committing a crime-of-passion.

A tasty, vulgar, low-budget, urban road movie about a satirical drawn art environment with great impromptu renditions and Peter Falk detective pastiche Wingers to lick your thumbs and fingers. The American-Dutch psychiatrist Bold Wasser plays in his role as Detective Scotty all professional actors of the cloth. Long plan sequence shots give the film an almost documentary, authentic appearance.

Registration of the play that opened the Holland Festival in 1980, written by Wim T. Schippers. Mr and Mrs Schaambergen receive two free tickets to a piece of modern art.