Guy Bellis

This period drama frames the tumultuous affair between Queen Elizabeth I and the man who would be King of England.

Sir Borotyn, a prominent Prague resident, is discovered murdered in his home, with all indications pointing to a vampiric assault. The victim's friend, Baron Otto, and the physician who analyzes the body, are certain that the vampire is either the mysterious Count Mora or his daughter. Receiving little help from the law, occult expert Professor Zelen is sought to assist with their investigation.

Middle-class housewife Kay Miniver deals with petty problems. She and her husband Clem watch her Oxford-educated son Vin court Carol Beldon, the charming granddaughter of the local nobility as represented by Lady Beldon. Then the war comes and Vin joins the RAF.

A little girl goes in search of her father who is reported missing by the military during the Second Boer War.

Kathleen is a twelve-year-old who lives in a big house with a nanny, a butler, maids, no mother and a father who is working most of the time. She dreams of a family with a mother, father and her, and tells everyone that she has such a family. Because of this story, she cannot invite any friends over as they will see that it is not true.

This being a Republic picture, it should come as no surprise that Storm Over Bengal was filmed in its entirety in the San Fernando Valley. Within its concise 65 minutes, the film manages to accommodate a Bengal Lancers main plot, a romantic subplot, the obligatory coward who makes good, intrigue aplenty from a villainous Indian potentate, and an outsized climactic battle between the rebels and the British forces. Patric Knowles, previously one of the leads in the British-India epic Charge of the Light Brigade, heads the cast. Worth noting is the presence in the cast of Richard Cromwell as secondary romantic lead Neil Allison and Douglass Dumbrille as the despicable Khan. Three years earlier, Cromwell had been tortured by Dumbrille's minions in Lives of a Bengal Lancer, and he undergoes much the same treatment here-"just to make him feel at home" observed film historian Roger Dooley.

King Louis XI masquerades as a commoner in Paris, seeking out the treachery he is sure lurks in his kingdom. At a local tavern, he overhears the brash poet François Villon extolling why he would be a better king. Annoyed yet intrigued, the King bestows on Villon the title of Grand Constable. Soon Villon begins work and falls for a lovely lady-in-waiting, but then must flee execution when the King turns on him.

The struggle of a man to build a steam ship to take him across the Atlantic in spite of all setbacks, and his win against a crack sailing boat in the early 19th century.