Lydia Ewandé

Arhangelos tou pathous: In anticipation of hearing a single word by midnight on his coming birthday, a self-destructive symphonic composer makes an out of bounds and dangerous bet on himself.

Marie has had a tough childhood ever since her mother Elisa committed suicide. She has spent most of her life in an orphanage and now makes a living as a small time criminal in Paris. Now she wants to unravel her past and find her father whom she blames for her mother's death.

Young, handsome, dashing but cynical, Octave Mouret arrives in Paris, determined to conquer the belles of the capital.

This is a charming and successful farce from director Thomas Gilou, featuring a witty screenplay co-authored by producer Monique Annaud. When a group of African squatters in Paris are threatened with eviction, they find themselves fighting against a bureaucracy that few French citizens understand, let alone immigrants. In desperation, they turn to their best option to resolve this dilemma: they call for a sorcerer from home. The sorcerer hops on a jet to Paris to cast spells on the entrenched bureaucrat, and while en route he strikes up a conversation with a fellow passenger, mentioning his job pays quite well. The interested passenger could stand to make a few extra francs, so he decides to take the sorcerer's place. Once he arrives, this imposter has to act like he knows what he is doing, and at the same time, he had better solve the eviction problem.

Lola is pregnant, and she isn’t sure who the father is: Félix, a Jewish delivery boy, or Jamal, a black law student.

Two friends, one a musician the other constantly depressed wander around Greece and France till they get to Paris without a penny to their name. Here they spend nights in the underground, and squat in houses with the African immigrants. One day they both fall in love with Mathilde a blond dancer and follow her to New York.

A series of humorous sketches on life: "A Night to Remember", "Summit Showdown", and "A Book? That's personal!"

In this erstwhile comedy, Penelope is already sufficiently unsettled by the fact that she is no longer a top model, and must cast around for another occupation. When her boyfriend leaves her, she becomes quite hysterical, conjuring up schemes for revenge, contemplating suicide, and so on. These dramatics eventually exasperate her best friend Sophie so much that she contemplates killing Penelope, her ex-boyfriend, or the two of them together, just to stop the whining.