Rodolfo Mórtola

Love, passion, disappointment, pain and sadness shape this love triangle between Aniceto, Francisca and Lucía, played by dancers Hernán Piquín, Natalia Pelayo and Alejandra Baldón.

Mario, “el Rulo,” is a wanderer who travels the country giving artistic performances. One day he passes through the town of Carlos, a municipal employee who dreams of being an artist. A friendship is born between the two of them, and Carlos leaves it all behind to follow Mario.

Julio works for an accounting firm, at the beginning of the '50s. Celina, his wife, married him without knowing that he was addicted to gambling. This problem leads him to increasingly denigrating situations. Celina, who has lost contact with her upper-class world, meets a friend from the past again and meets Alberto, who seduces her. Little by little, Julio enters into an irreversible debacle.

Two brothers who live in the interior of the country decide to travel to Buenos Aires with the desire to succeed in lyrical singing. Martín, the older brother, bears the paternal mandate of having to take care of his younger brother, Román. Both were orphaned as children. Upon arriving in Buenos Aires, they meet Estela, a singer from a night club, who falls in love with Martín and in turn, Román falls in love with her.

The story of the wars of independence in Northern Argentina during the 19th Century.

The life and the lovers of a few young women in a provincial town.

Follow the adventures of Kiss of the Spider Woman scribe Manuel Puig portrayed by Fabio Aste, who left Argentina after being persecuted for his homosexuality and settled in exile in Rio de Janiero in this intimate drama from filmmaker Javier Torre. Though life in Rio was full of romance and adventure for Manuel, the controversy surrounding him grew ever more intense, until the only way out was a trip back to his native Argentina. In the years that followed, Puig eventually made the painful decision to move to Mexico, where he spent his final days until death caught up with him at the age of fifty-eight.

Eugenia's parents die. She goes to live with Amalita, her close friend. Her grandmother Amalia Pradere a wealth landlady, takes the orphan under her protection. After a chain of events, disappearing her grandchild, Eugenia will take Amalita's place. She will inherit not only Amalia's possessions but also Ezequiel's love, Amalita's widower.