Jerome Koenig

Danny Cornish, a sort of stateless man who arranges art exhibits, is called from Tel Aviv to Paris with the news that a great uncle has died, in Birobidjan, the autonomous Jewish zone in Russia, leaving him a valuable art collection and the hand of a huge sculpture of a Golem. The uncle's will instructs Danny to find the rest of the statue, so Danny, who speaks no Russian, embarks on a trip that takes him (and the Golem's hand) to Moscow, St. Petersburg, and Siberia, fumbling with hotel clerks, taxi drivers, and bureaucrats, following leads, and making discoveries about myth, story telling, art, and hope.

Following the erection of the Berlin wall, special agent Carl Halman is assigned by East German intelligence to move to New York where he’ll “sleep” as a writer until he is called. Using the code-name “April 23,” Carl successfully infiltrates the uptown-downtown literary world in 1950s New York. He edits a magazine, follows the Knicks, and marries Melinda, the socialite wife of best-selling jock novelist Hubert Cleaver, Ayden’s hilarious Norman Mailer pastiche. Through Carl’s eyes, we see New York City change from an outpost of Europe to the new capital of an anarchistic, post-ideological world. But then, when Carl least expects it, he’s called.