To Katinaki

Two mysterious men dressed in black and with cigarettes dangling from their mouths drop a large, presumably heavy (since it takes two to carry it) package off on a doorstep and walk away. When the home’s owner returns he drags the package inside, then goes about doing a few more activities before deciding to finally open it. Upon removing the paper, he notices it’s a large steel barrel. Using a blowtorch, he gets the lid off and sees it’s full of oily water… but rising out of the water is a nude, voluptuous, smiling woman, who immediately starts to entice the man by massaging her breasts. Naturally, being in a barrel for who knows how long, she needs to get cleaned off and hops into a bubble bath. While she’s lounging in the tub, the man gets into bed, lights a cigarette and starts to remove him clothes in anticipation. We get to see fantasies from both the man and “the fairy.” —The Bloody Pit of Horror

A bourgeoisie client is transformed into a mouse and cannibalized by a prostitute in flagrante delicto with the camera changing focus in time to her breathing.

Marilyn’s shine flickering into your eyes, Marilyn’s mind melting into your mind, Marilyn’s heart beating inside of your chest,…if you so wish. – R.L.Before you start the film please light a candle and after stopping the film, please blow it out. Should the candle accidentally stop burning, do not light it anew: it means that the performance is over.

A sex maniac (bald and wearing white shoes) kills young women by penetrating them with various car parts. After each crime, he calls Commissioner Jason, head of a special police unit. The "anti-sex brigade" consists of three impassive detectives, whose main activity consists of collecting the variously undressed bodies with a few crude comments, or even touching them inappropriately. However, one of the victims has survived: the commissioner decides to use her as bait.

An actor on screen insults the audience. How will spectators react?