Jules Eckert Goodman

Henry Potter is the irresponsible playboy son of a New York millionaire. Fearing he will disgrace the family name if he stays in New York, the father sends him to San Francisco to work in the family shipyards and, to make a man out of him, he is told he will have to start at the bottom and work his way up. Henry decides this is not a good idea and resents it to the point he will indeed start at the bottom but will work his way down from there, and disgrace the family name in San Francisco.

A schoolteacher in the Yukon promises her hand in marriage to a rich prospector, but instead she marries his no-good brother. After her husband disappears and is reported dead, she marries a rich New York stockbroker, but doesn't tell him about her first marriage. Soon she is contacted by someone who threatens to tell her new husband all about her past if she doesn't pay up.

A sequel of sorts, the Jewish ethnic comedy characters of Potash and Perlmutter return from their 1923 debut film, also produced by Goldwyn, but with a different actor for Potash.

An eminent pianist is made deaf by an anarchist's bomb during a command performance.

Franklyn Starr, a talented and wealthy young musician, suffers a double misfortune in the sudden loss of his hearing and in the death of his Mother to whom he is deeply attached. He loses his generous, joyous nature and transforms into a gloomy and despondent misanthrope.

WAS IT Better For Her To Have Loved and Sinned Than Never to Have Sinned At All? STOP--CONSIDER The girl he led astray was another man's sister. Yet-He protected the honor of his own sister with his life. IT'S ALL IN THE POINT OF VIEW.

Cossack Anton Kazoff seeks revenge for the wrongs inflicted on his sister Olga.

Goldwyn produced a 1923 film adaptation of Potash and Perlmutter, and a 1924 sequel called In Hollywood with Potash and Perlmutter. In Partners Again the two are in the automobile industry -- This is a lost Film.