Maureen Bradley

"It was a night of passion, a passion so intense it makes you miserable..."

What do real women do in bed? After a bad one-night stand, Morgan looks for solace from her best friend only to be confronted with self-righteousness. Their disagreement results in a high-stakes bet to find out how many dykes fake it.

The heady pleasures of new lust and love allow the artist to escape her head momentarily - before trepidation creeps back in. With her usual sensual blend of grainy slow motion imagery and in-your-face sex-talk, Bradley continues her passionate exploration into the nuances and contradictions of lesbian desire.

When Adam helps his nutty ex-girlfriend Miriam artificially inseminate, it turns into a one-night stand-- and they both wind up pregnant. You see, Adam has been transitioning to living as a man. Now torn between his feelings for Miriam and his need for a masculine identity, Adam must figure out whether he's going to settle down and have a baby, or just try to be one of the guys.

'Sisyphus' is a silent 16mm film shot on a Bolex exploring a journey that never ends. I made this film at renowned experimental filmmaker Phil Hoffman's Film Farm workshop in Mount Forest, Ontario. Originally, I wanted to create a simple statement about overcoming depression. The ultra short narrative in 'Sisyphus' uses heartbreak as a metaphor for depression, since depression is just that - being heartbroken about life. The creative process and the practice of handmaking films speaks to treating life as a work in progress, thereby positively embracing the permanence of Sisyphus in my life. The lush, organic imagery in 'Sisyphus' was created by hand-processing 16mm black and white footage in a bucket and hand-tinting and toning individual pieces of film.

A voice-over soundtrack repeats some common heterosexist lines: If only they didn’t flaunt it… It’s nothing personal but… A simple image, consisting of two women embracing, contradicts the soundtrack. This video examines the resilience of lesbian desire in the face of relentless homophobia.

engWe live in a busy world and isolation seems to be the only way to escape the buzz of lists, inspirational catchphrases, and reminders to upgrade - now! The peace of ignoring the phone may be bliss, but what about when we get what we ask for and are forgotten altogether? The director mulls over the bittersweet reality of escaping. This video is about wanting to be alone and being lonely - a meditation on the cult of individuality and independence in our anxious urban world.

Jazz Slave Ships was a site-specific performance collaboration between Vancouver artist Jan Wade and London-based performer Vanessa Richards that involved the creation of an ancestral altar. It took place in two U.K. ports in October 1996: on the West Coast in Whitehaven, Cumbria (the last English slaving port), in an 18th century bonded warehouse used to store liquor and guns used in the slave trade; and on the East Coast in Hull, Yorkshire in Wilberforce House, the birthplace of the anti-slavery pioneer William Wilberforce and now a museum of anti-slavery. The production took place over a 3-week period that began Sept. 30, 1996.