Luis Alarcón

Gerardo was never detached from his mother. So when he presented his first girlfriend, the gorgeous model Ana Verónica, the mother will do everything possible to get rid of her.

This stark Chilean melodrama concerns itself with the plight of slum dwellers living outside Santiago. For many years they have, with great difficulty, been faithfully paying small sums to a real estate man. This man has said that by doing so they can obtain title to the miniscule plots of land their houses stand on. In fact, he has been swindling them and does not even own the land he has been "selling." One of the aggrieved slum dwellers confronts him about this while he is visiting the slum, and the real estate agent shoots him before everyone's eyes. The question confronting these witnesses is whether testifying against this monster will make their lives even more precarious.

After long decades of exile, a leftist former activist returns to Chile to settle accounts with his conscience, related to the death of a colleague and political hero . The task of Atalibar is to reveal his secret. But his view clashes with the current country, godless, far from the old ideologies and where all his old colleagues have changed.

Three criminals escape prison and find themselves at the swampland home of a strange old man and his sexy blonde daughter. This black-and-white Argentine crime film was dubbed into English and spiced up with over 10 minutes of color nudie insert shots.

The film is based on the novel (of the same name) by the Chilean writer Francisco Coloane, and on the chronicles of the Romanian engineer Julius Popper, a nationalized Argentine and one of the principle actors in the genocide of the Selk'nam, one of the indigenous peoples who inhabited the Tierra del Fuego Archipelago.

This is the story of a teenager at the turn of the century in the conservative higher classes of Chile and the initiation rites in his society.

The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.

Four drunken literary bohemians write a short story about a pact with the Devil just as that very story is happening to them.