Machiko Kitagawa

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.

After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers.

Based on the life and career of novelist Fumiko Hayashi, she bitterly struggles for literary recognition in the first half of the 20th-century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.

Musical comedy starring Watanabe Productions recording stars Nakao, Sono, and Ito as Toho's new "Sannin musume," three young women intended for 1960s audiences what Hibari Misora, Izumi Yukimura, and Chiemi Eri had been in the 50s.

When a narcotics deal goes sour and a suspect disappears, leaving only his clothes, Tokyo police question his wife and stake out the nightclub where she works.

Hachigoro, a carpenter living in the Rakugo Tenement, is an honest and skilled craftsman, but he loves sake more than his three daily meals, and had even been barred from entering the Akasaiya shop where he worked. However, thanks to the intervention of the landlord he was fortunately allowed back in, and Oka, the landlord’s maid who had long harbored feelings for Hachigoro, sent him a celebratory kimono as a gift.

A sequel to Geisha Konatsu (1954).

An ingratiating bride develops warm ties to her father-in-law while her cold husband blithely slights her for another woman.

World Electric's top ad model disappears, throwing the company into disarray. A fortune-teller’s influence spreads through upper management, sending staff on a misguided search. Misinformation, internal friction, and unexpected revelations push the company to its limits.

Modern comedy.

An Ishiro Honda film.

A comedy directed by Kajiro Yamamoto, based on an original idea by Koji Toita, co-written by Yasuo Tanami, who worked on "Hibari Chiemi Izumi Sannin Yoba" and Kajiro Yamamoto, who worked on "The Story of a Genius Swindler: Tanuki no Hanamichi." Photographed by Seiichi Endo of "Things That Live at the End of the Earth."

Toho comedy shot in Tohoscope featuring performances from the Peanuts and the Crazy Cats. Original released alongside another Toho comedy, King Kong vs. Godzilla.

Soemon, the master of Gidayū-style madcap performances, has gathered the entire tenement block again tonight and is tormenting everyone with his terrible Gidayū singing.

A group of hustling peddlers swindle rural towns with fake goods, facing betrayals, close calls, and constant setbacks as they chase survival and dream of a better future.