Molly Reynolds

Diagnosed with lung cancer, legendary Australian actor David Gulpilil boldly explains the journey that is his extraordinary, culture-clashing life.

"Twelve Canoes" is a series of short films that paint a compelling portrait of the people, history, culture and place of the Yolngu people whose homeland is the Arafura Swamp of north-central Arnhem Land in the Northern Territory.

In this documentary companion to CHARLIE'S COUNTRY, Australian actor David Gulpilil tells the story of when his people's way of life was derailed by ours.

In a cage on a trailer in the middle of the desert, BlackWoman is abandoned, left to die. But BlackWoman seems not ready. She escapes, journeying through pestilence and persecution, from desert to mountain and finally to city, on a quest for an unknown beginning. But the city is more uncertain even than the desert, and recaptured, BlackWoman must find another escape. Or does she?

A joyful celebration of the life and loss of Archibald award-winning artist Craig Ruddy, told through the eyes of his loving partner of twenty years. This moving documentary goes behind the scenes of his life with his partner Roberto Meza Mont, in their home and studio in the Northern Rivers, to capture the spirit of the man and artist. Directed by Molly Reynolds (My Name is Gulpilil), utilising footage captured by Roberto throughout the decades, we see Craig Ruddy in all aspects of his life – preparing for exhibitions, painting his most famous portraits and dancing his way through life. An incredible portrait of a creative powerhouse and an exuberant celebration of love.

An unattractive social outcast (Jeff Strong) visits a stranger (Lara Phillips) in prison after setting off the events that landed her there.

A documentary about making the feature film "Ten Canoes". It is May, 2005 in Central Arnhem Land: 'We are making a movie. The story is their story, those that live on this land, in their language, and set a long time before the coming of the Balanda, as we white people are known. For the people of the Arafura Swamp, this film is an opportunity, maybe a last chance to hold on to the old ways. For all of us, the challenges are unexpected, the task beyond anything imagined. For me, it is the most difficult film I have made, in the most foreign land I've been to...and it is Australia.' - Rolf de Heer

Locked down, shielded and isolated, ShoPaapaa hobbles around his tiny universe. In a monologue that has no audience, he rails against racism and bullies, he ponders his existence lying fallen on the floor, and he makes his bed...slowly, miserably, painfully. And he never loses hope.