Jaromír Kačer

A coming of age story about love, loss and revenge centers around two teenage friends, Adam and Marek, whose aimless lives in a small town are suddenly disrupted by the appearance of Anna, the troubled daughter of a rich and influential local businessman. Initially her free spirit energizes Adam but soon he finds himself thrown into a spiraling chain of events. His innocence is about to be abruptly replaced with the adult emotions of guilt, fear and revenge.

In 1988, an earthquake killed at least 25.000 people in the Armenian city of Gyumri, a third of them children. Jana Ševčíková explores life after and with the disaster, meets survivors and their children.

An absurd comedy about terrorism in the Czech Republic.

Jakub presents an extensive ethnographical-sociological study of the life of the Ruthenians, filmed in the Maramuresh mountains in the north of Romania and in the former Sudetenland in Western Bohemia. The film was made over a period of five years during the time of both totalitarian regimes and was completed in 1992 after the revolution.

The Šumava Mountains hide buildings lost in the mountains, the Vydra River, a church, a rectory, marshes, a post office, a gold mine, and a hermit's hut. In this environment, the fates of the beautiful girl Anna, a tormented widow, her perpetually drunk husband—a postman—and dentist Holoubek, who left his native Vienna, intertwine. Over the course of the year, their paths cross, but then the summer of 1914 arrives and war intervenes decisively in the lives of all those involved... However, the characters' desires and quests are timeless.

The award-winning Old Believers (2001), made over a period of five years, documents the life of a strongly religious community in the Danube Delta where time seems to stand still.

Symbols and political analogies abound in this dramatically frustrating first work by a recent film-school graduate. In the story, Vojtech has survived World War II in a Czech prison following an unjust sentence. Now he is free, and the world is full of possibilities.

The psyche of a ruthless secret agent in Cold War Czechoslovakia begins to unravel when he obsesses over the girlfriend of a suspected subversive he is tracking. This taut political thriller is a bleak and potent rendering of the emotional destruction wreaked by totalitarianism.

At his parsonage over the Tatra Mountains, Marian Kuffa readily takes care of more than 200 people in need. This unostentatious movie is not just a portrait of a remarkably selfless man but also a more general contemplation of the complicated lives of alcoholics, junkies, and all other social outcasts, as well as an elegant reflection on mercy and the forms that faith can take.

Sentiment is Tomáš Hejtmánek's intimate documentary portrait of the great Czech director František Vláčil. The film was inspired by encounters with the filmmaker and told through taped interviews, reconstructions of meetings with Vláčil, visits to actual film locations (of Marketa Lazarova, The Valley of the Bees and Adelheid) and Vláčil-inspired film sequences. The result is one of the most unique and personal portraits of any artist – a collage of voices, sounds and images that evoke and celebrate Vláčil’s life and work.

“Try to describe what it's like to see,” one of the blind actors in Jana Ševčíková's documentary urges the film crew. The same challenge for him is to express how reality is perceived and experienced by a visually impaired person. Ševčíková therefore does not explain the blindness. Using everyday situations as examples, she empathetically and without pathos presents the stories of six people who never stop dreaming, yearning, and searching for ways to be as free in life as the sighted majority. They find sources of energy in work, sports, dance, and relationships. We are also transported into their world by the dimly lit black and white camera and the layered soundtrack.