Alain Choquart

During the Nazi occupation of France, two filmmakers try to build a career without compromising their ideals.

The Golden Ball is a wonderful children's film that tells of a young boy's dream of being a soccer player. Whenever a match is broadcast live in the village of Makono, Bandian and his brother keep their ears to the transistor radio, spinning a picture of the game from the announcer's commentary much as they fantasize themselves on the field. A gift of a real soccer ball, which Bandian paints gold, like a magical object involves him in a series of adventures which bring him in reach of his dream, but which also require him to make difficult choices.

The story of a young couple, Pierre and Geraldine, and their desire for a child, which leads them on a journey of initiation to Cambodia. On their difficult and transformative adventure, they must contend with obstructive authorities and the jealousies and mistrust of a small community of would-be adoptive parents.

A pathetic police chief, humiliated by everyone around him, suddenly wants a clean slate in life, and resorts to drastic means to achieve it.

Estelle fights to maintain her sense of self while sleeping with Angus for money.

In a mining town which has been blighted by economic downturns, an elementary school headmaster struggles to obtain social services on behalf of his students.

Three half-brothers are reunited at their mother's funeral. After being told of their inheritance they quickly spend the money, only to find out that they will not receive it after all. The men grow closer while deciding how to proceed.

In Paris, Lulu, a passionate policeman, works with the faith of a rookie, despite the sclerotic bureaucracy and the incompetence or negligence of some of his colleagues. In his new position as a narcotics inspector, he tries to keep his sanity as he witnesses the worst of the human condition.

In December 1997, Bertrand Tavernier supported a group of undocumented migrants in Lyon who went on hunger strike to protest against the double penalty. An agreement was reached, but the strike resumed a few months later, for lack of a real solution. The director then decides to take his camera and to give a long speech to these men and women that nobody wants to listen to.

In 1930, in the majesty of the Andean mountains, the long hunt of a bounty hunter gradually turns into a strange initiation quest.

The last days of World War I, Eastern front. Captain Conan, a lone wolf, a true warrior, leads a band of ruthless French fighters who love hand-to-hand combat; they are not fit for peacetime, they only feel really alive in the chaos of the battlefield.

With the ambition to start a boutique overseas but without the means to do so, Nathalie finds herself in a desperate situation, where she would do anything to acquire what she needs. Along with her boyfriend, Eric, and his friend Bruno, she concocts a plan where she seduces clueless men and accompanies them to their places, then allows Eric and Bruno to break in. But the three soon encounter trouble after one of their schemes ends in murder.

Intense love and hate bring a man and woman through personal tragedy.

A musician leaves his wife in Prague, comes back to his native France and meets a singer.

The TGV? No, it is not the famous French high-speed train, but instead the rickety and colourful bus operated, driven, repaired and, if need be, pushed by the intrepid "Rambo". This time, the trip between Dakar, the capital of Senegal, and Conakry, the capital of Guinea, is outright dangerous: the road crosses the territory of the Bijagos, who have launched an unexpected and violent insurrection. Rambo finds several odd passengers (with a handful of sheep) who are ready, for various legitimate or untold reasons, to take every risk to reach Conakry. And the TGV sets off on an eventful journey...

Novelist and filmmaker Jose Giovanni turned to the remarkable true story of how his father helped him escape a date with the guillotine for this drama, which is based closely on events from his own life. During World War II, Manu (Vincent Lecoeur, as a character Giovanni modeled after himself) fought with the French Resistance, but near the end of the war he fell into a life of crime, and in 1947, 22-year-old Manu was arrested for his part in a bungled robbery that left a man dead. While Manu did not pull the fatal trigger, he refuses to say who did, since it would mean implicating his uncle, one of the few members of his family who has stood by him; Manu's brother is dead, and he turned his back on his father Joe (Bruno Cremer) years ago. Manu is sentenced to death, and while he protests his innocence, his attempts to escape from prison do little to convince anyone that he's telling the truth.

Documentary on the French-Algerian conflict 1954-1962 which was never officially called a "war", including interviews with some of the survivors.