Fabiola Guajardo

After a one-night stand results in pregnancy, a young woman decides to become partners with the emotionally immature father-to-be.

A renowned Mexican journalist and documentary filmmaker living in Los Angeles, after being named the recipient of a prestigious international award, is compelled to return to his native country, unaware that this simple trip will push him to an existential limit.

A punk band decides to hire a keyboard player in order to change their sound, despite the fact that this talented musician has Down Syndrome.

As a volcano threatens northern Tenerife, the spark between a headstrong scientist and a disciplined pilot tests their ability to resolve the crisis.

The Black Falcon is no longer in his glory years a wrestler since his brother left him. When his brother returns, this may be his last chance to fix both his professional and personal live.

A woman has a crush with a coworker and makes a ritual to make him fall in love with her, but things got a little out of hand when she messes with forces no one can control.

A comedy series about a divorced dad who likes younger women, and his son who likes older women.

When Refugio and her three sons—Patricio, Edmundo, and Ignacio—are forced out of their home, a twist of fate brings them to Mexico City, where they begin a new life. Eighteen years later, they are settled in a small apartment in a working-class neighborhood. Refugio holds a modest job; although she suffers from serious vision problems, she neglects her own health to attend to her sons' needs. Patricio is studying law and dreams of a comfortable, prosperous future; his mother admires him for his charitable nature. Meanwhile, Edmundo begins courting Lucero—unintentionally hurting Ignacio, who secretly loved her—while Refugio tries in vain to make Patricio understand that he will never be happy with Olga.

Pasión y poder revolves around family dramas and corporate powers of two rival families.The rivalry that originated many years ago, when Arturo Montenegro and Eladio Gómez Luna both fell in love with the beautiful Julia Vallado. Eladio ultimately married her. Years later, Julia Vallado is a very unhappy woman having to suffer from abuse and therefore supports the wickedness of her husband, with her only consolation, is the love of his son David, a complete antithesis of his father.

A man's budding romance with a beautiful woman is sabotaged by his evil twin, but they get another chance at love when they're reunited years later.

Mariana is a poor young woman who is left alone in the world and must make her way in life. When she saves the life of Alberto Salvatierra, in gratitude he takes her to his house where she meets Luis Alberto Salvatierra and they fall deeply in love. To carry on their relationship, Mariana will have to overcome obstacles of social class, education and traumas, while being surrounded by ambitions and betrayals. When Mariana and Luis Alberto are able to realize their love, life will bring them a tragedy: the loss of their son.

Fabiola's parents are killed in a plane crash leaving her and her younger sister, Andrea, orphans. Their parents estate is divided equally among the girls. But at the reading of the will, the family is surprised to learn of the existence of a life insurance policy for one million dollars. They're even more surprised when they learn who the sole beneficiary of that policy is. While the family squabbles over what to do about the policy, Fabiola decides she's going to take over the administration of her family's business: a successful garage, where she finds more than she bargained for when she meets a mechanic named Ramon who just happens to be the son of her long-time nanny, Juana. It is based on the Venezuelan telenovela written by Doris Seguí, "Tomasa Tequiero" produced in 2009.

Gloria's perfect life shatters when hitmen kill her fiancé at their wedding. Abandoned by family, pursued by enemies, and stripped of assets, she must enter the money laundering world to protect her son.

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

An adorable young woman with big dreams and plans for the future unexpectedly becomes pregnant after an accidental artificial insemination during a routine medical checkup, turning her life upside down as she learns to navigate the challenges of motherhood.