Curt Wesse

Film version of the operetta by Emmerich Kalman. Victor has won 10 000 Mark with his ceiling painting. In the local pub, he celebrates his triumph. Countess Alexandra happens to drop into the pub too, and is thought to be a model by the sponsor of the prize, Count Meredith. Victor soon has to save her from an embarassing misunderstanding. The two men insult each other and Victor loses his prize.

Newlyweds Käthe and Max met while studying law. Trouble ensues when Max takes on his first case without telling his wife.

It can hardly be said that things are peaceful in the Berlin apartment building where the film's story takes place. There are constant clashes between the residents – and sometimes that's quite literal: for example, when the widow Bock hid some explosives among the bricks, which detonated when the building's thieving doorman lit them in his stove.

Based on the play Henry IV by Luigi Pirandello. Conrad Veidt plays Count di Nolli, a nobleman who, after a head injury, imagines he is the medieval emperor. His friends and relatives choose to play along, dressing up as medieval courtiers, but is di Nolli truly mad, or just pretending? The art direction was by Hermann Warm. It was shot on location in Italy. 6 acts, 1856 meters.

A film with a short storyline showing how locomotives and carriages are handled at stations from the arrival of a D-train until its next departure. The son of a train driver, who has to write an essay at school entitled "What I saw at the station," learns about the technical facilities of the marshalling yard along with the viewers: coal loading, water extraction, slag removal, work in the locomotive shed, cleaning the boilers, and maintaining the passenger cars. From the arrival of a train at the platform to its departure, the focus is on operational safety, cleanliness, and passenger comfort.

A nervous private investigator, his bumbling boss, a woman in love, 10,000 Reichsmark and two reversed cases. A crime comedy directed by E. W. Emo.