Daniel Margolius

While flying a routine reconnaissance mission over Bosnia, fighter pilot Lt. Chris Burnett photographs something he wasn't supposed to see and gets shot down behind enemy lines, where he must outrun an army led by a ruthless Serbian general. With time running out and a deadly tracker on his trail, Burnett's commanding officer, Admiral Reigart, decides to risk his career and launch a renegade rescue mission to save his life.

Hynek Michánek wants to study medicine but fails his entrance exams five times. He starts a job as an orderly in a district hospital where one of the doctors on the examining board works as well. He feels no-one takes him seriously and he loathes the doctors, who treat him with disdain. When an old man begs him to end his pain and suffering by helping him to die, Hynek gives him a "liberating" injection. But now he has done it once, he finds he can't stop. He continues killing other patients, even though he knows he can't get away with it for long.

A thriller loosely based on one of the most violent Czech criminal cases of the nineties, popularly known as the Orlík murders. The film delves into the motivation behind the killings, exposing their exceptional cruelty and an absolute absence of moral values. The perpetrators executed four people on their way to achieving material gain. Two of the bodies were found at the bottom of Orlík reservoir, the third perished in a bomb blast, and the forth was shot at home...

The story, written by former George Stransky former political prisoners and today's chairman Pen Club is situated to 50 years and uranium camp of political prisoners in Pribram, where after the fall of the Stalinist cult comes at the end of 1958 as a prisoner of the former Chief of Main Administration of correctional facilities Colonel Good. Former chief topic of coexistence, "a guard" and political prisoners in the Bolshevik camp served timeless makers to reflect on the possibility (or impossibility) of forgiveness and a sense of justice. The film, unfortunately, below expectations - mainly because of its rarity and lack syžetovou arching dramatic arc of the story, including natural gradation. Nice camera and vice versa are cast, formed literally myriad of top Czech actors. A representative of one of the main roles - Jiri Schmitzer in 1997 was awarded the Czech Lion.

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

What led a former top scientist to rob a bank and hold a dozen hostages? Czech Television's crime thriller based on Martin Goffa's novel "The Little Girl" is squeezed into two environments - the interior of a robbed bank with hostages and the interior of a crisis management car, from where the police communicate with the mysterious attacker and try, like him, to play for time and find out more about him. The flashbacks also tell the story of the attacker's daughter Karin from the recent past, gradually revealing a connection with what is happening in the current storyline.

Based on an autobiographical novella by Ivan Olbracht, the film tells the story of Hanele Safarová, who grows up just after the First World War in a little Ruthenian schtetl which, in true Hassidic fashion, awaits the arrival of the Messiah. But Hanele decides to follow the Zionists instead. She moves to the city to prepare for her departure to the Promised Land, where she meets a successful businessman named Ivo Karadzic, who has renounced Judaism to become a free-thinker. Their love for each other doesn’t only drive Hanele’s parents to distraction, it also threatens to destroy the entire community in the schetl.

Film makes the creative process visible by letting its narrative flow in the mind of a foreign director who is researching a film about Franz Kafka in Prague. Based on the principle of dreams and free association, segments unfold that deal with the various points of view that Kafka's work, personality and fate offer. In the labyrinth of his mind, the fictional director projects himself into situations from the author's life, with Kafka himself as his guide. At the same time, he delves into the history of the persecution of the Jews and glimpses the monstrosity of the bureaucratic apparatus that Kafka anticipated but could not have foreseen the monstrous size and function it would grow to a few years after his death in the institutionalized genocide and overall machinery of Nazism.