Michael Emil

Four 1950s icons meet in the same hotel room, and two of them discover more in common between them than they ever anticipated.

After her husband loses his job, Marianne moves from Beverly Hills to a nightmare New York City. She hires ditzy psychic Reva to redecorate her apartment, and they end up being chased by a crazed killer.

Zee is walking up and down Manhattan streets, talking to herself and to the husband who has just left her. At a sidewalk café she runs into Eli, and a very unlikely, funny and touching relationship develops between two lost souls in the big city.

A soldier returns from Vietnam on special assignment, accompanying the body of his friend by train to California for burial. During the trip, he falls in love with a gentle college student. But their relationship is shattered by his flashbacks to combat.

Claire Makes It Big, Jeremy Workman's award- winning short comedy, follows the travails of a talented overweight actress and her difficulties landing a decent movie role. A sharply written and briskly directed satire of the acting and filmmaking professions that then turns into a hilarious wish-fulfillment fantasy, it also features a lovely lead performance by Mara Hobel (whom Joan Crawford-heads may recognize as the child Christina Crawford in Mommie Dearest) and funny supporting turns from more recognizable folks like Clancy Brown, Paige Turco and Peter Bogdanovich, along with a voice cameo from the late Don LaFontaine.

A private eye hired to kill a man's wife warns her instead and then finds both are impostors.

An electronic ankle bracelet and being under house arrest aren't about to stop up-and-coming actress Maggie Chase (Tanna Frederick) from the two things she craves the most: real fame and true love. With more "Google points" than her Iowa hometown, but far less than Angelina Jolie, Maggie is desperate to claw her way off the B-list of action/adventure pictures and into major movie stardom.

Helena Mora, the head of an eccentric theatrical family, has decided to sell her large estate in the Hamptons because of her recent money troubles. Before she completes the sale, she wants to have one last gathering of family and friends, with dramatic performances. Bringing everyone together, though, creates rivalries and tension, especially for Oona, a temperamental but successful movie actress who seeks the approval of her creative peers.