Florence Gilbert

Lovable buffoon Monty Banks tries to relax, but ultimately spends his day worrying about who is keeping company with his wife.

A history of Limerick’s single-screen, city centre cinemas: the Abbey, the Carlton, the Central, the City Theatre, the Coliseum, the Lyric, the Savoy, the Thomond, and the Tivoli. The documentary charts their cultural and economic importance from the glory days of the cinemas before television to their slow decline.

A milquetoast Easterner who on a trip to the Wild West is mistaken for a U.S. marshall.

A dramatic recreation of the Johnstown Flood of 1889.

Two cowboys drift into town. Both are broke, and one of them jokingly suggests they rob the local express office. A citizen overhears them, and when the office is robbed soon afterwards, the cowboys are blamed for it.

A US Army officer is sent undercover into the hills of Mexico's Baja California region to find and bring down the madman Crando and his group of crazed followers, who are setting up their own criminal empire spreading from Mexico into the United States.

The misadventures of a young man who sets out in his flivver to stop the girl he loves from being forcibly married to a rival.

Story of a cowboy who falls for a notorious dance-hall girl. The girl is brought back home to the farm, where a crooked ranch foreman who knew the girl before, tries to seduce her. Gilbert, alas, is reformed and remains faithful to her benefactor.

A Man Four-Square is a screen version of William McLeod Raine's popular tale of a rancher who finds himself falsely accused of murder while attempting to help a friend in need.

DOWN HOME is a rural drama set in New England and stars Leatrice Joy as Nancy Pelot, daughter of the town drunk. He was once a businessman and still owns a local farm, but Nancy now supports her father and herself with a mysterious job in a nearby town.

In their first screen appearance together, Stan plays a penniless dog lover and Oliver plays a crook who tries to rob him and his new paramour.

Guiding two covered wagons along a desert trail, Duke Steele meets and befriends Sam Le Saint, a mysterious hermit who is searching for a former partner who destroyed his home and ran away with his wife and infant daughter eighteen years earlier. Later, the two men ride into a mining camp controlled by Silver Sleed, who runs a gambling place. Duke is smitten by beautiful young Nola "Luck" Sleed, and learns that she is the gambler's daughter. Silver Sleed also happens to be the man that Sam Le Saint is searching for. Sam, who is dying, kills Sleed, and Duke learns that Luck is Sam's long-lost daughter.

Small town sheriff "Silent" Davidson tries to protect aging sheep rancher Scott Martin and his daughter, Jean, from the predations of local cattlemen. Head cattleman Pete Kane and banker Jeff Sedley ambush the old man and frame the sheriff for his murder, but Scott is only badly wounded. Recovering consciousness, he tells Jean who the real culprits are. However, Kane seizes and imprisons her. Ultimately, Silent breaks out of jail, finds and frees Jean from her bonds, proves his innocence, and brings Kane and Sedley to justice. Naturally, he wins Jean's heart.

"Hurricane" Smith (Francis Ford), head of a steamship company, plots to keep the railroad from entering the city. The map of the proposed route becomes the instrument by which Blake (Frank Baker) and Florence (Florence Gilbert) become targets of Smith's gang. Smith, however, didn't account for Pinto Pete (Ashton Dearholt), he of the spotted hand-- A wanted, whip-wielding rogue who comes to Florence's rescue.

Tony and Freddie, who have been rivals all their lives, vie for the hand in marriage of their childhood sweetheart. Big Freddie has the upper hand when Tony gets himself kidnapped by a ring of muggers whose M.O. is to have one of their members dress up as a woman to lure men into the back seat of their limousine, where they are beaten up and robbed.

Brilliantino the Bullfighter (originally titled Flood and Sand) is one of the first spoofs of Blood and Sand, Paramount’s smoldering matador melodrama that set box offices ablaze. Like Mud and Sand, starring Stan Laurel, the Banks parody was rushed into theaters in November 1922, while memory of the Valentino vehicle was fresh. The concept of Monty Banks impersonating the passionate matador must have been innately hilarious to audiences who had seen the original picture.

A hunting comedy full of cartoonish gags.