Stefano Torossi

Italian drama.

Rome. Some young people with initiative try to realize their projects.

There are a number of inheritors to a fortune who are getting killed by a mysterious somebody whom we do not see. Each death is novel, but not terribly graphic. Who did it?

A young artist, living and working in Rome, drives his car for a long trip to Paris. Into the car also his last work, a sculpture. During the trip he meets Michelle, young french woman. The artist in Paris hopes to sell his sculpture.

A small rural Spanish village of the present is haunted by vampires. Dr.Dora Maeterlick is called to a nearby castle to cure the father of Baron Carl von Rysselbert who suffers from a strange blood disease. Erika, assistant to Doctor, falls in love with Carl. But Carl is a vampire and pretty soon he makes Erika his vampire bride. From now on Dr.Maeterlick plunges into a nightmarish whirl of dark happenings...

Two clumsy mobsters on a mission in Paris.

Geared to a teen and pre-teen audience, this juvenile romance is set in the last year of high school and involves the attraction between Isabella, a beautiful newcomer to the school, and Massimo, an introverted, hard-working young student .

The secretary of a professor in charge of a super-secret nuclear project, Susy Martin, mysteriously disappears. Her fiancée, Rick Dorsey, turns to a childhood friend, Frank Potter, who is now a private detective, to help him find her. The detective and his assistant / journalist / girlfriend/(cook) Margaret (the real ace up his sleeve!), while the police are misled by mysterious intrigues and the counterespionage itself are barking up to the wrong tree, manage to solve the case... but not without the support of the repentant Dr. Kerriman. Furthermore, an unexpected ending, just not to make it too trivial!

Defined as an ‘animated medley’ by its maker, the film is an animated photographic tribute to cinema through a gallery of stars from the silent era onward, alternating with more or less disorienting images of various origins. Through the widest range of techniques, recombined according to an associative logic that could evoke the cinema of the dada avant-garde, but also fashion magazines from the past, Amour du Cinéma is undoubtedly a singular film with pop overtones. —Tate Modern

Tearjerker about an estranged couple and their terminally ill son.

At the Rome airport two men are taken into custody. Inspector Scott Luce thinks their two suit-cases are full of drugs, but the suit-cases contains only white powder. Afterwards the corpse of Susan Palmer is found. She was a drug runner for the Cosa Nostra boss Frankie Agostino. Susan's friend, Jenny Ryan, meets a mysterious man from America, Arthur Ardigan, supposedly her cousin. In the meantime Inspector Luce is investigating.

Andrea, a young man from the provinces, leaves his home, his friends and his girlfriend to go to the city in search of new intellectual satisfactions that he believes he can no longer find in his small world. The young idealist meets Eleonora, a beautiful woman romantically linked to Luca, a rich and unscrupulous businessman, and becomes his lover. In order to live forever next to Andrea, Eleonora does not hesitate to abandon Luca and the luxurious life that he allowed her. The death of Eleonora in a car accident, however, abruptly cuts off Andrea's dreams of happiness, who returns to his provincial town, where he finds his fiancée waiting for him and comforting him.

Richard Harrison is Mike Spencer, a cop whose girlfriend is killed by drug dealers after she stumbles onto their operation during a fashion show. He goes undercover as a photographer to catch the people responsible.