Asdrúbal Meléndez

Portable Country is a classical Venezuelan film about the urban guerrilla. Based on the novel of the same name, written by Adriano González León, the film centers on Andrés Barazarte, a disillusioned man from a wealthy landowning family, who grapples with his personal and political identity in the midst of Venezuela's tumultuous social changes and engages in the guerrilla. He reflects on his life, his family's decline, and the broader struggle for power in a country torn between tradition and revolution.The story unfolds as Andrés is tasked with transporting a mysterious package. This journey becomes a metaphor for his search for meaning and a confrontation with his family’s, and his country's, violent past. His recollections weave together with present events, creating a complex tapestry of memory and history.

An elderly man with wings is blown off course during a tropical storm in this symbolic fantasy. The Old Man lands near a Caribbean island where a poor family gives him shelter in a chicken coop. Father Gonzaga is the skeptical priest who rushes to damn the creature. Soon the Old Man is the subject of curiosity seekers as Elisinda and Pelayo start charging admission. A traveling carnival of human oddities camps near the Old Man as people flock to see the show. The Old Man is reduced to being an unwanted pet, and after six years, he mends his wings and flies away. Nudity, simulated sex with a spider woman, and the ugliness of human exploitation definitely put this fantasy in a category not for children.

Gaspar Urbieta works as a typographer in Maracaibo. The National Guard convinces him to infiltrate an organization of Colombian gold smugglers. Gaspar will experience situations of fear, humour, intrigue and romance with a beautiful and enigmatic blonde. His secret will be so incredible that if he told it, no one would believe it!

Rufino, a man of 71, is widowed and decides to return to the village where he met his wife. There is reunited with his landscapes and his friend Gaspar, a painter who has taken over a little orphan girl named Ana eight-year-E, Rufino who will be forced to remain under the same roof, despite its hostile coexistence . The loneliness of these characters are facing, beginning strokes to a new way to overcome abandonment.

The intent of novice director Solveig Hoogesteijn to make a drama about two Venezuelans from opposite sides of the economic and social tracks wobbles and weakens in the telling. Although the two compatriots both live in the capital, Caracas, and both love music, they have a need to go out into the rest of the country and discover their roots. As big-city dwellers, they are limited in their perspectives, though this excursion into other areas of Venezuela may prove more illuminating to them than to a foreign audience.

Vidal Rojas, an opponent of the dictatorship of Juan Vicente Gómez, after failing in a subversive attempt and suffering a romantic disappointment, decides to enlist in the revolutionary groups in the interior of the country.

A young peasant farmer has a feud with a heartless landowner which results in the landowner killing the peasant's cattle which result in the peasant killing the landowner which for the man goes in to hiding for more than 40 years, hounded by the murdered landowner's son obsessed with finding his father's killer.