Lourdes Valera

In the corridors of a Caracas hospital, two very dissimilar beings meet by chance one night. Coming from very different worlds, anxiety is the only thing they have in common. One of them is Antonieta Sanchez, a single mother who has made ends meet for herself and her son, Odulio, by washing clothes and ironing. She knows she has lost her son a long time ago: Odulio is a young criminal. The night he was shot, Antonieta's life changed forever. The other is Benigno Robles, an assistant district attorney who, as a young law student, devoted his career with hope and deeply rooted ideals of justice. When Elisa, his only daughter, is hit by a stray bullet, Benigno will never be the same. But this encounter between Antonieta and Benigno, seemingly coincidental, is not: there is a secret that will eventually come to light

“Nude with Oranges” is a film set during a civil revolt in the mid-19th century where Caribbean myths affect the lives of two characters – an indigenous man enlisted in the Liberal Army and a mute white woman – who develop a mysterious link while seeking a new life.

María Carlota Rivas (Gaby Espino) and María Corina Palmieri (Daniela Alvarado) are first cousins. They are young, beautiful, fierce and free, and they create opposite poles, but they share a common cause: both are deeply disappointed in men. They are the granddaughters of Don Pastor Palmieri (Guillermo Ferrán), owner of land, fattening cattle, and lover of the good life. María Carlota has chosen to take over her grandfather's farm; because she loves the country and the wild life. On the other hand, María Corina is a cosmopolitan lover of capital nights, who cannot live far from the vibrancy of the city.

The two Dianas