Jean Sylvain

A woman in Paris hires a taxi driver to locate her ex-lover, father to her newborn child, who left her without leaving an address.

In pre-World Ward I in Paris, a budding artist, Pierre LeBlanc, falls in love and marries Janine, a dressmaker's assistant. Pierre has a flair for designing clothes, and he and his bride live in a blissful paradise, until the war breaks out and he becomes a soldier. Janine dies in childbirth and, no longer desiring to live, Pierre volunteers for a dangerous patrol behind German lines. While recuperating in the hospital from a wound he received on the mission, Pierre spends his time drawing sketches of dresses. He becomes rich and famous after the war. Years later, after devoting himself to his daughter, Pierre seeks a marriage with a girl no older than his daughter. A conflict develops and to ensure his daughter's happiness, Pierre sacrifices his own plans.

Little Germaine Valcour, an adulterine child, is abandoned and taken in by a showman, Father Ballot. She becomes the consolation of the good man whose daughter has gone wrong. Madame Vaulcour died of grief while her lover, after many bad blows, takes justice into his own hands. The girl stays with her adoptive parents.

Françoise Arnould plays here a married woman who decides one day to get away from her husband and return to her childhood place, where she meets all her former friends, and lovers.

An ornithologist mistaken for an explosives expert is sent alone into a small French town during WWI to investigate a garbled report from the resistance about a bomb which the departing Germans have set to blow up a weapons cache.

It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post-Napoleonic era, his intensely romantic liaisons propel him forward at a pace he cannot control.

Shortly before the War, Jan Lazlo, a Hungarian musician who has emigrated to France, falls for a young woman. Alas, the lady forsakes him and the poor man tries to overcome his grief by writing "Gloomy Sunday", a song so desperate that it can drive its listeners to suicide. Max, a music publisher, likes the song and decides to launch it by all means, foul or fair. Bob, his accomplice, manages to talk his mistress Michèle into committing a fake suicide. She obeys him and the scheme is a success as a result. On this occasion, Jan gets to know Michèle and the two young people fall in love. Happiness seems to be in store for Jan again but this is without counting with Bob. Jealous of Jan, the naughty fellow indeed tells him that Michèle's attempted suicide was nothing but an advertising pretense.