Colin MacCabe

A retelling of the life of the celebrated 17th-century Baroque painter Michelangelo Merisi da Caravaggio through his brilliant, nearly blasphemous paintings and his flirtations with the underworld.

Derek, in chronological order, records the work and life that stands at the foot of Derek Jarman's humour and spirit of being an artist. The filmmaker and actress, Isaac Julien and Tilda Swinton respectively, have produced and narrated a film on his life whereby the use of language is perpetuated to give some type of palpable meaning to British audiences alone, and to their own personal relationship with him.

Sammy and Rosie are an unconventional middle-class London married couple. They live in the midst of inner-city chaos, surround themselves with intellectual street people, and sleep with everybody - except each other! Things become interesting when Sammy's father, Rafi, who is a former Indian government minister, comes to London for a visit. Sammy, Rosie, and Rafi try to find meaning through their lives and loves.

Art critic Keller, a German ex-pat living in London, is confronted by his radical 1960s past when he's asked to assassinate a Chilean murderer who is on a visit to London.

Siblings Maisie and Tony, along with their mother, gather for their sister Eileen's wedding. It is a joyous occasion, but through flashbacks, it becomes clear that the family was not always happy. Their father was physically abusive to his wife and left the children emotionally traumatized. As a result, the children have grown into unhappy adults, looking for love they didn't receive when they were young.

An examination into the nature of 1960's-70's horror films, the involved artists, and how they reflected contemporary society.

A collection of thoughts and journeys. A dialogue between different forms of knowledge. A film about dancing, working, and life itself. The Hexagonal Hive and a Mouse in a Maze explores current ideas about learning in a global context.

Bud is a lonely and quiet boy whose moments of solace occur when he sits in rapture at the local cinema, watching towering and iconic figures on the movie screen. The movies give Bud the strength to get through another day as he deals with his oppressive school environment and his burgeoning homosexuality.

Two disc jockeys have a friend's murder to solve in the fringe-group melting pot of 1977 London.

Essay on the influence of arts at the end of the 20th century produced by the Museum of Modern Art.

The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).

Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines. In extrapolating the idea of movies as song-lines he examines feature films under the following categories: songs of the land; the bushman; the convicts; the bush-rangers; mates and larrikins; the digger; pommy bashing; the sheilas; gays; the wogs; blackfellas; and urban subversion. He then concludes that these films can be thought of as "Hymns that sing of Australia."

A group of individuals are stranded at a small island airport when the flight from the mainland is delayed. At that moment, a stranger appears and begins telling the story of a summer romance in Venice.

An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.

In a documentary about Samuel Fuller, the spectator gets different impressions about the Hollywood director and his films. The film is divided into the three sections: The Typewriter, the Rifle and the Movie Camera. The first segment covers Fuller's past as a newsman where he began as a copy boy and ended as a reporter. Part two describes Fuller's experiences in World War II, in which he participated as a soldier. The last section focuses on Fuller as director. Tim Robbins interviews Samuel Fuller revealing the director's own memories and impressions. Beside the interview, Jim Jarmusch, Martin Scorsese and Quentin Tarantino accompany the documentary with their comments.

A documentary on serial killer films.

The Scandinavian entry in the BFI's Century of Cinema series of documentaries

Actor Sam Neill discusses New Zealand film and his own experiences within and without.

A robot messenger is sent to earth to appeal to humans to live in peace. Originally designed to go to MIT, by mistake she ends up in Amman, Jordan during the Black September riots of 1970. Sullivan, a British journalist, comes to her aid when she is found wandering without papers following a bombing and grants her refuge in his hotel room. But there she tells him she is a robot, sent as a peace envoy from another planet. He is not sure whether to believe her story or not, but finds her unusual view of the world appealing. They examine the human condition in a series of incredibly insightful and entertaining conversations.

The Ways of Seeing writer is celebrated by Tilda Swinton and her fellow admirers in an unorthodox four-part documentary that visits him at his Alpine home

The Spectre of Hope is based on the latest work of photographer Sebastiao Salgado. Salgado spent 6 years traveling to over 40 countries, taking pictures of globalization and its consequences - most notably, the mass migrations of populations around the world. In the film, Salgado presents his remarkable photographs in conversation with John Berger.

This revolves around Tim West, an advertising executive who is developing a Channel 4 programme on cooking for terrorists. Disillusioned by the hyper-reality of the media world, he joins Robert de Niro evening classes, but also falls under the pastoral influence of Johnny Morris. From the opening images of night-time, car-ridden streets accompanied by languorous sax on the soundtrack, through to the sub-Chandleresque voice-over narration, Taxi Driver II strikes you with its clever knowingness. But it's more than just a clever nod in the direction of contemporary film noir, just as it's more than an incestuous joke at the expense of the London based media world: it's a telling comment on the contemporary media culture of postmodernism.

A meditation on the first 100 years of German cinema, featuring an assembly of German filmmakers.

At a lakeside hotel, Michel Piccoli discusses the centennial of cinema with Jean-Luc Godard. Godard asks why should cinema's birthday be celebrated when the history of film is a forgotten subject. Through the remainder of his hotel stay, Piccoli tests Godard's hypothesis.

Filmmaker Martin Scorsese celebrates US movies from the silent classics to the Hollywood of the seventies.