Baird Bryant

A 707 aircraft jetliner, en route from Athens to Rome and then to New York City, is hijacked by Lebanese terrorists, who demand that the pilot take them to Beirut. What the terrorists don't realize is that an elite team of commandos have been called in to eliminate all terrorists on the jetliner.

A boy tries to stop aliens that have taken over his town and are brainwashing its inhabitants.

A one-man army comes to the rescue of the United States when a spy attempts an invasion.

After Annunziata opens up a hostel with her friend Antonio, she is saved from being raped by a Camorra boss as the gangster is suddenly killed. The killer escapes before Annunziata is able to see who it was. Following this murder are several others, and always with the same “signature” — a syringe in one of the testicles of the victims. As the gangsters continue to be killed off, the identity of the killer – or killers – slowly becomes obvious.

Rapidly alternating fragments of women's portraits, planes, trains, revue dancers, animals, a motorcyclist with 'Ferdi' written on the back of his jacket and in between the artist himself and abstract images; scratches and wild drawings, among others. Colourful abstract and expressive images and texts, painted directly on the celluloid, are interspersed with images from the maker's other films; THE VIPERS and FERDI.

Les Blank's first feature-length documentary captures music and other events at Leon Russell's Oklahoma recording studio during a three-year period (1972-1974).

Star-studded show recorded at the Big Sur Folk Festival, Big Sur, California, September 13th and 14th, 1969. Joan Baez, Crosby, Stills, Nash & Young, Joni Mitchell, John Sebastian, and others. This film captures a remarkable moment in folk, rock, and pop history - the famous folk festival that brought traditional acts like Dorothy Morrison & The Combs Sisters and Carol Ann Cisneros together with the psychedelic rockers of the day who were most deeply rooted in the folk revival. Older songs like ‘Oh Happy Day,’ ‘Rise And Shine,’ ‘All God’s Children,’ and ‘Swing Down, Sweet Chariot’ meet Joni Mitchell’s ‘Woodstock,’ Joan Baez’s ‘Sweet Sir Galahad,’ ‘Bob Dylan’s ‘I Shall Be Released,’ CSNY’s ‘Down By The River,’ and many more of the now-classic songs of what was then called the ‘new rock.’ The scene is notably intimate and - aside from one fan’s dustup with Stephen Stills - mellow, with many rare, close-up moments with the stars.

A short film by John G. Avildsen.