Mahmoud Moursy

This is the story of young Hassem, the son of a powerful sheik, set at the beginning of Hegira. When the youngster's uncle is murdered, Hassem decides to go to Mecca with a view to finding the culprit and punishing him. But what he discovers there is not the murderer but the prophet Muhammad. Touched by grace, Hassem converts to the new religion and comes back to his village to propagate the new faith. Which is not to his father's liking, since the Muslim religion is opposed to feudal rights and privileges. The infuriated sheik curses his son and starts persecuting the new converts.

This lavish period action-adventure is an Egyptian version of The Count Of Monte Cristo.

Based on the novel by Latifa al-Zayyat, which explores a middle-class Egyptian girl's coming of age against the background of the growing Egyptian nationalist movement before the 1952 Egypt revolution.

Chief Morsy is a lightkeeper staying at a faraway lighthouse. He marries So'aad and shortly returns to the lighthouse where he recounts to Nour his adventures with women. When he sends his wife a letter with Nour, Morsy grows suspicious of his wife's fidelity. Suspicions nourished by his jealousy.

Based on Tharwat Abaza's short story, 'Shey min al Khawf' takes place in a rural Egyptian village. Atris' reign of terror on the villagers is put to the test when a public act of defiance is carried out by Fu'ada, the object of his affection.

During 1942, Nadia Burhan lives with her mother in Alexandria, Fawzia lives with her husband Shaker, whom she married against her family's will. Nadia meets Salah and agree to get married. Fawzia dies from a German bombardment of the city, and Nadia has amnesia and Fawzia's husband tries to delude Nadia that she's Fawzia.

Abu Firas al-Hamdani is a famous Arab poet from the princes of the Hamdani state, as he is known for his equestrian and courage, he lives between the court of Prince Seif al-Dawla, and people love him everywhere. Who competes with Firas for the love of Naglaa.

As the war of attrition with Israel reaches its peak, and while Magdy is waging his war on the front, his journalist fiancée is waging a brutal war against the utilitarian editor-in-chief, whose true identity she later discovers.