Dušan Hanák

Jakub, a dreamer and budding magician, juggles between parcels and services rendered to the villagers. His eyes cross that of the beautiful gypsy Jolanka. Together, they will try to live a first and big love, despite the pressure of their respective communities.

A traditional Advent mass filmed in a church in the historical town of Spisska Sobota (Northern Slovakia), featuring authentic liturgical texts and songs.

A raw and telling portrait of a people left behind by the modern world, inspired by the work of photographer Martin Martinček - whose pictures of the inhabitants of the Liptov region in central Slovakia, encompassed by the Tatra mountains, distilled entire lifetimes into luminous and intransient images. Dušan Hanák's continuation of these photographs takes the shape of a poetic visual essay, capturing more comprehensive vignettes of their isolated human experiences.

A documentary about the cycle of human life and the eternity of nature.

A tribute to Martin Slivka, one of the most important personalities of Slovak cinematography and culture. He was the creator of Slovak documentary ethnographic film, director, screenwriter, dramaturgist, film theoretician, pedagogue, author and ethnograph, but mainly – exceptional person. This documentary is not only a remembrance of maestro Slivka through words of his close friends and colleagues, but also an attempt to slightly uncover the secret of his rich life and work.

The drama called I Love, You Love was made in 1980 but because of the absurd ideological ban, the film entered cinemas nine years later. Pišta is an unmarried man who works at a freight wagon which carries letters and parcels. Alcohol helps him to overcome his handicap of being short and not good-looking. He wishes he had a woman, but the woman he really wants, ageing Viera who reloads the cargoes, has a soft spot for another man. So, Pišta has nobody and nothing, except for senile mother who sometimes fails to recognize him. The film received Silver Bear for Best Director at the International Film Festival in Berlin.

This film is a psychological study of a woman who chooses solitude as an escape from the duplicity and emotional barrenness of the men around her.

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.