Willy Lemos

In a remote South American colony in the late 18th century, officer Zama of the Spanish crown waits in vain for a transfer to a more prestigious location. He suffers small humiliations and petty politicking as he increasingly succumbs to lust and paranoia.

Paladium. One of the busiest and most fashionable nightclubs in Buenos Aires, where artists, LGBT activists, traditional tangueros, and the newest generation of Argentine rock musicians would all cohabit with freedom and morality. And now?

Pablo and Victoria, an Argentine couple who have been married for eight years, decide to go to Colonia, Uruguay, to celebrate Victoria's birthday and to try and improve their relationship.

A single pregnant teenager goes to live with her uncle, a mediocre entertainer in a seedy cabaret.

A woman wants to have a child and her husband doesn't, so she has an affair with a mechanic to get pregnant.

The plot involves the school director bringing in a female inspector to clean up the school. The students decide to kidnap her and replace her with the sexy stripper "aunt" of one of the girls (who is naturally sleeping with several of the guys). The real director meanwhile falls madly in lust with one of her male captors. Meanwhile a goody-good student and her hypocrite father begin to suspect the ruse . . . So will there be a lot of crazy hijinks? Will everything work out happily in the end? Will the entire female cast (and an unfortunate amount of the male cast) find some excuse to get naked?

During the last dictatorship and in the first years of return to democracy in Argentina, the under movement suffered attacks, exiles, arrests, ridicule and disqualification for a large part of society and applause from a minor group of people. In that underworld, Transformism was located as a form of expression cultural and artistic. Bernarda is the homeland, deconstructs the gender binary from Lorca and those movements of culture of the 80 '.