Sándor Kőmíves

Buda is mastered by the Turks. Student Gábor and his companion flee a troop into the castle, just in the garden of Gül Baba. Gábor and Leila, the daughter of Gül Baba fall in love with each other. Ali pasha, who wants to marry the girl, has the two Hungarians caught in order to let them be executed.

The film, depicting life in the tenement houses of Angyalföld in the thirties joins the neorealist currents of Hungarian film. Ambrus Pista, the good humoured, attractive tram conductor is loved by women for his excellent job as well. With his lover, the street-walker Terus they spy upon the neighbour as he beats his wife in jealousy.

The film is a ballad about the dwellers of a block-of-flats in Angyalföld.

Private inspector Hável happens to travel on the train which is attacked at Biatorbágy. His attention is drawn to a suspicious man, and in the next few days he confirms that it was indeed him who committed the crime. Yet the police accuses not the lunatic Marschalkó but the communists. Summary justice is declared.

The old, sickly Demeter Lapussa is a tyrant in the family. He forces his granddaughter, the beautiful Henriette, to marry baron Hátszegi, although the girl loves the penniless Vámhidy Szilárd. The two lovers attempt to commit suicide, then are torn away from each other.

Student Gábor and cigarette-smoking student Mujkó sneak into the Buda rose garden of baba Gül and fall in love with Leila, the daughter of baba Gül, who is bathing there and is destined to be the 33rd wife of Ali Basa. The guard captures the student and death awaits him and his companions.

Against the backdrop of the Adolph Eichmann trials, an elderly paraplegic pharmacist is summoned to the police station, where he believes that his hidden wartime guilt has caught up with him, unaware that it is all in fact an elaborate practical joke.

The movie tells about the relationship between young people who love each other. Young Mishka's family works on a construction site in Budapest, and on weekends they come home to their village on the Great Plain to relax and have fun. It is here that the young man meets Klari. He learns that Klari is his fellow villager, although she also works in Budapest. They arrange to meet the following weekend. Mishka is truly in love. Clarie is too, but she doesn't dare to admit to him that she has been unfaithful.

Epic recalling the early days of the Republic of the councils.

A sequel to "Yesterday". About the defeat of the Hungarian uprising of 1956. The action takes place in the barracks of the People's Army, in the War Ministry and in one of the largest factories in Budapest.

An aspiring film student is denied a scholarship to the state-funded university when his father is thrown in jail. The man had stopped a train in order to facilitate the union between two old friends. The son then takes a job as a land surveyor and meets a Greek man who works towards the collective benefits of the peasants. The man is killed in a peasant uprising prompted by a bureaucratic boondoggle. The surveyor looks after the man's widow as his emerging political and social awareness leads him take a stand against government injustice. Another incident, in which gypsies are rounded up by state hygiene workers, further galvanizes the man's beliefs. He photographs the incident, and his work allows him to be accepted into the school from which he was previously denied admission.

Lugosi works in the locomotive factory, earning little. He does not feel at ease in the world. One reason for his discontent is that his wife - a tractor factory worker - earns more than he does, and another is that she has even had her innovation accepted, while his has not. And because trouble doesn't come alone, poor Lugosi gets involved in a sabotage case.

Mrs. Fazekas and her three sons live in a tenement house in the outskirts. The eldest son, Fecó, is saving money in order to buy a washing machine for his mother, while her other two sons spend time by hanging around and playing tricks.

A disowned son of a Greek aristocrat arrives in Hungary in 1949 over his family’s communist beliefs and starts work in the Lágymányos tobacco factory, where he falls for Gizi Weiss and fathers their first child in 1953. Fifty years later, the now-destitute “Ratkó baby” is whisked from the Baross Square underpass to Crete by a legion of lawyers to claim his share of a legendary inheritance.

March 15, 1848; the revolution breaks out in the town of Pest. Yet at café Pilvax, in among he revolutionary youth, there is the informer of the imperial court as well. Hearing the news of the attack led by Jellasics, the inhabitants of the villages pour into the national army, and Hajdú Gyurka also escapes from his landlord. Petőfi is there at the camp of the revolutionaries, raising them to enthusiasm with his poetry.

Panni, coming from a landless family of ten and Miska have loved each other for a long time. The pretty Panni, however, has another suitor as well: Komáromi, the big farmer. The two men fight from time to time, but then, during the time Miska is serving his military duty, Panni marries Komáromi to end the tremendous squalor of her family.

Feature film version of the 1971 series. On the eve of the 18th century, County Vicecomes Görgey Pál broods alone in his manor while the town of Leutschau celebrates New Year’s with lead‐casting omens and a disastrous hunt that sparks a bitter feud. As Görgey fights for his honor and life, and the townspeople defend their Saxon privileges, their mutual blind ambition prevents them from seeing the rising light of Rákóczi’s coming rebellion.

In September 1952, psychological torment ensues when fourteen miners are trapped inside a collapsed mine, and the community in northern Hungary unites to save them.

István Pongrácz, lord of the castle of Nedec, is a strange man. He does not like his own time, so he imagines himself as a medieval lord of the castle. His surroundings also accept his whimsy, and in this way they give him a horse to ride. Like centuries before, he launches a campaign against the disobedient city of Banská Štiavnica. In their great embarrassment, the serious city fathers offer the haughty warlord a ‘hostage’: Apolka, the city’s orphan. Her presence changes Count Pongrácz, who grows fond of the beautiful and innocent creature. But Apolka’s heart belongs to another.