Valerie Braddell

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

Lisbon's traditional Saint Anthony's Weddings have hit rock bottom. At least, that's what Stardust, a major French multinational poised to take over the event, believes. Carmo and Valentim, two Lisbon City Hall employees who have spent more than 25 years organizing the celebrations, are given a harsh ultimatum: reinvent the event and turn it into a modern success, or lose their jobs. Directed by the filmmaker behind The Gilded Cage, Saint Anthony is a vibrant comedy and a heartfelt love letter to Lisbon. A celebration of human connection, identity, and cultural resilience in an increasingly globalized world.

On his first night in his ground-floor apartment, a man is woken up by a drop falling from the ceiling. When he goes upstairs, he discovers strange people and a new side to his personality.

This story is about a crusading scientist out to stop nuclear testing who is motivated by scientific fact, conscience and faith. Dr. Alex Carmody (Martin Sheen) is a physicist who becomes convinced that if the U.S. and the U.S.S.R. continue to test nuclear weapons, eventually one of these tests will set off an atomic chain reaction that will obliterate the world. Carmody travels to Portugal where he tries talks to one of the women who in 1911 saw a vision of the Virgin Mary that spoke to her and her two companions about the future. Carmody is certain that the Virgin Mary predicted the very chain reaction he and his co-worker Dr. Kenneth Parrish (Peter Firth) envision. Failing in his attempt to talk to the woman, Carmody then travels to Paris and elsewhere, warning Soviet and American officials that the tests they are planning should be cancelled before they become their last.

An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and reality. Although this raises certain much-discussed questions about the nature of representation, and about the construction of narrative and daydreams in films, 'Phoelix' tends to treat these as just pretty and pertinent issues, opting instead for a mannered concentration on detail.

Thirty-something Vítor still lives with his mother, Fátima, in his grandmother Júlia’s apartment. Fátima is a hairdresser with a quiet disposition who, at night, fantasises about the policeman who has just moved in next door. By day, Vítor is a lowly employee on a TV show. But at night, he dons his neighbour’s uniform to win the favour and satisfy the desires of a boy he’s met online. In her retirement home, Júlia is unable to sleep at night and has long forgotten what drugs she is meant to be taking. She misses her dead husband, who manifests himself in the body of a living friend, and gets involved in her daily activities. Through these characters, Diogo Costa Amarante constructs a fascinating portrait of lives lived while desires remain unrealised.

Xavier, a village boy, falls for Laura, neighbor's granddaughter who visits her grandfather annually. Despite flirting at summer dances, Xavier believes he has no chance with her.

Today, Henry's usually dull journey to work is eventful enough to catapult him into the headlines.

Two friends cannot find their way around the city of Lisbon. It is a film, which could be a poem, that has no genre and serves as a bridge between the narratives, forms, and dreams of the characters they encounter.

In a time preceding the Carnation Revolution, we meet two men: one young, one old. One is fleeing the country, and the other helps him escape through Trás-os-Montes. While they make “the leap,” they speak about their lives and their troubles… This is an ode to those who fought for Freedom, and to these fifty springs that have passed. Throughout 13 performed songs, we travel across the country, hand in hand with several Portuguese people who tells us their stories through music, until we get back to this young man who runs away and returns to Lisbon, shortly after the Revolution, to reunite with his loved ones and live in freedom.

Maria spends her daytime sewing and cleaning, while at night she works as a prostitute in Oporto's streets. Years ago her path crossed with José, a married man who became her most faithful client but who couldn't help her to escape the hard life. Today this old prostitute continues showing off her body through the long city's nights, though the clients are almost gone. José is still there, but he failed at what she desired the most: a son. In a very intimate and raw portray of a woman, MARIA disclosures how love and getting older can feels like.

A collection of three Portuguese short films by Ary Zara (Um Caroço de Avocado), Aurélie Oliveira Pernet (As Sacrificadas) and Pedro Cabeleira (By Flávio), which proposes different possibilities for being a woman nowadays.

In summer, the Portuguese countryside is ravaged by fires. Otilia struggles between her job as a pool cleaner and the need to take care of her mother alone. Stunned by this suffocating daily life, the flames awaken in her solitude, despair and the desire to escape.

Inspired by the biography of the portuguese painter Maria de Lourdes Ribeiro, known as Maluda, who found the stage of her art in Lisbon.

The daily life of the residents of the "Terraços do Glamour" condominium, on the outskirts of Lisbon, highlights their problems with defective apartments and spoiled facilities due to the developer's false promises.

Without money, without a partner and over 40, Miguel finds himself at a crossroads. However, his charisma and success with older women leads his friends at the health club to convince him to make a living as an escort for older ladies. With them, Miguel learns and enjoys himself, offering attention, joy and plenty of fun in return.

After an anonymous report, the former minister Álvaro Vieira Branco, under investigation for several crimes such as lobbying and misuse of powers, stays in home detention with an electronic bracelet. The report allows the criminal inspector, Gonçalo Schmidt, to finally investigate what they have suspected for so long: Álvaro Vieira Branco does not own personal nor familiar income to justify his high-quality level. Imprisoned in his luxurious mansion, Vieira Branco has to adapt his strategies to keep satisfying (mostly) the financial needs of those who surround him, while he tries to: get rid of the case, find out who is the whistle-blower and maintain his influence on the public sphere. To solve all of these, Vieira Branco counts on with his long-standing lawyer, David Rebelo Morais, current politicians and his trustworthy foreman, Zé Mário.

A love as large as the world itself... Pedro has just returned to the city where he was born and spent most of his life, but mysteriously disappeared without a trace for 20 years. The reasons for his disappearance have always been cause for speculation, as he was something of a celebrity in the city. Despite always denying any direct responsibility, he was known for performing miracles on people's lives by having them look at themselves from a different perspective. In fact, Pedro has the gift of being able to foresee the future. But his visions can be, at the same time, a blessing and a trap. When he was young, he saw his girlfriend Carmen dressed as a bride laying in a coffin and wearing an engagement ring that he assumed was his. It was as if fate was warning him... Pedro ends up getting involved with Manuela and have a daughter with her named Sofia. Still, he goes through a rough period and receives a serious death threat that makes him leave everything behind.

Hamid, a refugee from Eritrea, who crosses the Mediterranean Sea from Libya to Europe and decides to get a chest tattoo as determination and reminder of this new stage of your life. It is kidnapped by a human traffic network who uses him as a guinea pig to experiment on science and pharmaceuticals.