Annie Markart

The story staged, then, is that of young Andreas Harmer (played by Oskar Marion), at first unemployed and then, thanks to the help of his sister, who works as a nanny at the home of councillor Othmar Valentin (Arthur von Duniecki), a police apprentice. The man soon finds himself having to deal with a couple of forgers (Attila Hörbiger and Kurt Doehn), who live in the basement of Valentin’s building and who, uneasy because of the presence of a policeman who frequently visits the house, will do anything to drive the man away, even organising the kidnapping of Valentin’s little daughter.

Nazi propaganda film with Hans Albers starring in a dual role as a daring German airman and a Russian general, two cousins who find themselves facing each other in bitter enmity after the end of World War I.

Marianne is an accountant, but since she is so pretty the employment agency sends her to the theater. There, Max's gaffer falls in love with Marianne and persuades her to stay at the theater. Once he has to defend her against a professional boxer who harasses her. Although Max loses his position, but receives an offer from Box Manager Schmidtchen. When Max learns that Marianne is engaged, he goes to Schmidtchen's boxing school in Hamburg.

Tenor Mario Monti is searching for his wife Bianca's daughter, who is believed to be dead. Before Mario, Bianca was married to Carlo Scarpia, Mario's patron. When Carlo discovered that his wife and Mario were having an affair, he left them both and, as he was leaving, told Bianca that their daughter Mary had died. In reality, she grew up without knowing her real parents. Mario tracks Mary down in Munich, where she works as a ballerina at the State Opera.

When the master and mistress of a household are away, and the chambermaid's father visits, she pretends to be the real mistress as he is unaware of her lowly position. Slapstick complications ensue.

Vienna during the fin de siecle. Farmer's daughter Anuschka has to sell the farm after her father's death to the rich but mean farmer's wife Nowarek and her friendly son Jaro. Anuschka goes to Vienna and starts to work as a housemaid until she is wrongly accused of theft.

When a prostitute is murdered in a cheap Berlin boarding house, an investigating judge suspects that the killer is her boyfriend, unaware that his own son and daughter are also mixed up in the case.

This is essentially a "Kraft durch Freude" propaganda film though the organization is never mentioned. A company's three day outing might very well be the last because bankruptcy is just around the corner. The people on the trip have all their individual problems and wishes, too. This episodic film might sound quite promising considering the basic idea but its script is determinedly optimistic and leads everything and anything to a happy end. The dramatic parts are finished in a rather implausible way, the comedic are terribly predictable. There's a badly misjudged singing scene in the bus, some bavarian shtick, the Regensburger Domspatzen are singing in Augsburg and so on...

Im weißen Rößl (English title: White Horse Inn or The White Horse Inn) is an operetta or musical comedy by Ralph Benatzky and Robert Stolz in collaboration with a number of other composers and writers, set in the picturesque Salzkammergut region of Upper Austria. It is about the head waiter of the White Horse Inn in St. Wolfgang who is desperately in love with the owner of the inn, a resolute young woman who at first only has eyes for one of her regular guests.

The confrontation between two women - a choreographer of a successful troupe and a prima ballerina. Stung by the news of her upcoming dismissal, the prima begins to scheme..