Péter Szász

Against the backdrop of the Adolph Eichmann trials, an elderly paraplegic pharmacist is summoned to the police station, where he believes that his hidden wartime guilt has caught up with him, unaware that it is all in fact an elaborate practical joke.

Set between the First and Second World Wars, a “tale of an industrialist's rise to power and his destruction through his own greed” - BFI.

This rhapsodic, grotesque and realistic film describes one and a half days of Gyula.

On the Spring of 1945 the Jackson circus is heading towards the border with the clown Peti and Aida, the elephant. They have to play for the Hungarian Fascists, while Peti is hiding the Jew Annuska and Sanyika.

The corpulent and ageing Ivicz, once an excellent baker, works as a deliverer now. He lives alone. At the weekends following the toilsome weekdays he is the boss. He regularly travels to the country, to work as the incorruptible referee of third class national soccer games.

On New Year's Eve in 1956 the artist couple, the actor János and the dancer Viki are hastily packing. While they are waiting for the car, which is to take them across the border, their entire life is replayed in front of their eyes.

In 1919, in Petrograd, a pilot Sevastyanov was asked to help in training flight personnel for the young Hungarian republic, together with a Hungarian journalist he makes a desperate, with many adventures, flight across the front to Hungary ...

Don Juan, the seducer, is cursed by the governor of Seville: he can only live until a woman rejects him. Thanks to this curse, Don Juan has been living in bliss for 400 years when he arrives in Budapest. Of course, in the new city he chooses a new girl to conquer, Kata Lukacs. The experienced heartthrob used all tricks and tricks, but it seems that none of this has an effect on Kata.

The flat of Doctor Bartha is wetting, the Communal Management Enterprise does not act, the doctor and his wife are at the edge of divorce. Géza would marry his colleague, Kató, but mum is sick, the apartment is small, no money. Uncle Károly is fed up with unsuitable, charlatan business managers. Vali would marry, in order not to live on Titi and Piri any more, but the selected man wants to have a woman with her own apartment. All of them have a chance by the lottery, especially by hitting twelve scores.

When a Latin teacher publishes an essay on the Carthaginian General Hannibal, he is quickly hailed as a celebrity genius, but in reality has become an unwitting pawn of far-right politicians.

The story takes place during World War II and presents the illegal movement from inside. Some tough guys from the square have been angry with Albert Zoli, a boxer since he started living a decent life, passed the final examination at high-school, and entered a job as a bank clerk. About his illegal activity, however, they do not even have the slightest idea. With the help of Zsizsi, a young actress, and Diogenes, an extravagant tramp, he persuades the guys to join the movement. They distribute anti-Nazi handbills and paint pacifist slogans onto the walls of houses.

Daddy Kárász, the stakhanovist worker, complains in a television interview about the fact that his family, consisting of many members, cannot get a home on their own. Kéri, the chairman of the local authority, promises to help him on the condition that if he does not, they may move in to his villa at elegant Pasarét. Nothing happens, therefore the Kárász family takes Kéri by his word. From this time on, tumultuous scenes and frequent quarrels take place in the villa between the two families.

Judge Csanádi András makes a confession to his boss one night: he fell in love with the pretty, modern driver woman, Zenthe Judit in a fencing room. The girl suddenly returned his feelings. One night she confessed to him crying: she hit someone. The case was assigned to Csanádi, who wanted to investigate the circumstances meticulously despite his feelings. Thus the so far hidden life of Judit, which is bound to the past former world and its values is now highlighted. He is confused, asks his boss to absolve him from the assignment, but refuses to do so. Csanádi realises in the court room: Judit kept on telling lies, she played the lover for her own interest. The judge passed his crisis, he will deliver a fair sentence.