Maria Rouvel

The plot is based on the dramatic fate of the Red Army commander Aleksei Ivanovich Pavlov. Having been captured in January 1942 and being among the displaced persons, he didn't immediately decide to return to the USSR. Having rolled around the foreign country for 17 years, Aleksei nevertheless returned to his homeland. He goes to his brother in the south of the country to Sevastopol. Aleksei accidentally meets the doctor Anna Andreyevna, who was saved from death in besieged Leningrad. She travels by car from Moscow and also to the south, with her daughter Tanya; she suggests he join them. Aleksei tells about his life on the road.

Berlin 1952, seven years after WWII. Four women are looking for a good man and happiness in the divided city. Their destinies are loosely connected through one person: the West Berlin dandy and womanizer, Conny.

Günter has completed his electrical engineering degree and returns to Berlin. His old foreman and his wife welcome him and want to take a Sunday trip to Grünau, but he wants to visit a mechanical engineering exhibition that is only open that day. The old gentlemen accompany him to Stalinallee, and here something fateful happens: Günter meets the girl he has always fancied again ...

Hoffi is starting fresh after his release from prison. He travels with his brother to different construction sites in search of Urban, an acquaintance and role model he met during a brief hospital stay. Along the way, Hoffi meets Gila, who sees beyond his past in prison. Despite disapproval from her family, Gila decides to build a relationship and future with Hoffi, but Hoffi initially hesitates at this responsibility. It takes the encouragement of his workers’ brigade for Hoffi to realize his mistake and give his relationship with Gila a chance.

The six members of the Julian Böll brigade have been working well together for years. One day, the brigadier is missing a 100-mark bill from his pay box. Ashamed of his own doubts about his colleagues, he remains silent. Böll investigates the question of why his colleagues in the brigade have not been able to get to know each other personally despite working well together, and why he does not have the confidence to resolve the matter collectively. He recognizes omissions and decides to have a clarifying discussion. It turns out that the money was not stolen.

In 1929 Berlin, the progressive editor-in-chief Bornstein is on trial for libel. An article in his magazine attempted to uncover the role that Reichsanwalt Jörns had played ten years earlier in the "clarification" of the murders of Rosa Luxemburg and Karl Liebknecht. The article explained that the then court martial judge knowingly covered up for the murderers and delayed the trial. At the trial, the testimony of witnesses succeeded in proving the truth of the publication and exposing those behind the murders as those who were preparing fascism.

A young doctor has to spend a night in a lonely house near the transit highway. Unexpectedly, he witnesses East-West smuggling operations, which he manages to prevent at the last moment.

Schorsch and Franz are two rascals who are full of mischief and constantly tease both their teachers and their fellow pupils. Vera, the new classmate, decides to put her foot down and bring an end to the poor situation. With skill, patience and the help of the other pioneers she finds out about the troublemaker’s love for miniature trains and tries to direct their redundant energy onto the right track. However, Vera and her pioneers have to overcome some resistance before Schorsch and Franz finally change their behavior and become better classmates.

A story about Ulrike, a ten year old girl who is looking for a new father with energy and determination.

Susanne and Christian get to know each other during a wonderful week in summer - and fall in love. This, however, leads to conflicts: up to now, Susanne has been living with Wolfgang, a biologist. This shared life was harmonious and based on mutual trust. Wolfgang is not only resolute and in full command of social situations; he has also always been the stabilizing force in the relationship. This is precisely why Susanne now feels drawn to the unsettled, unsteady and frivolous Christian, the complete opposite of the calm, well-balanced Wolfgang. And Christian, working as a shift boss on a natural gas derrick, has become more aware of his personal and social responsibilities as a result of loving Susanne.

The young and rebellious Werther is passionately, but hopelessly, in love with Lotte. Although he knows that she is married to somebody who can offer her a secure future, Werther tries to be near her. Lotte cannot decide between these two men. She eventually rejects Werther, who does not survive her decision.

The starting point of the story is a scandalous affair that took place in West Germany at the end of the 1950s. It began with the unexpected death of a member of the Bundestag who was known to the public as a well-paid lawyer and influential man in politics. What was not known, however, was that he mysteriously died of poisoning in a foreign hospital for the poor. It was concealed that the deceased, as a contact person for a Swiss arms company, represented a West German arms contract worth 2.5 billion marks. The Military Counterintelligence Service tried everything to conceal the explosive events...

Berlin in the 1960s. Olaf and Horst are two young metalworkers, who provoke their older colleagues with critiques of the antiquated equipment and lack of materials... not to mention their love of leather jackets and motorbikes. Olaf and Horst begin to be targeted in the house newsletter, and the generational conflict escalates.

In 1914 Berlin, bank heiress Leonore Wahl and struggling Munich student Werner Bertin fall passionately in love, defying class and her parents’ expectations. Their idyll is shattered by the outbreak of WWI: Werner, swept up in patriotic fervor, is conscripted to the Western Front, while Leonore, pregnant and abandoned, faces her family’s condemnation and a clandestine abortion. Set against the tumult of war, the film explores idealism, social divides, and the personal costs of duty and desire.

Based on the novel of the same name by Harry Turk. 1944. In occupied Poland, a railway line is being built to transport lead ore to Germany. The Valley of Seven Moons is restless, with construction materials disappearing and people vanishing. The occupiers feel uneasy on foreign soil. Despite increased security, partisans carry out one act of sabotage after another, hindering construction in every way possible. The German Rudek and the Jewish girl Martina, who at first stand aside from any struggle, join the partisan detachment.

Oliver is in the 4th grade. He hasn't been paying attention in magic class and gets a big, fat five on a test. He has to have the work signed by his parents, but he is ashamed and doesn't want to cause his parents any grief. So he tries to get rid of the five with magic or at least turn it into a three. He manages to create talking guinea pigs and singing geese, but the five remains. The other children are already angry with him because he has no time to play with all the magic exercises. And so he decides to confess his mishap to his parents. His mother shows him how he can turn the five into a better grade - and that has to do with learning.

Brigitte is caught between two men: on the one hand there is the ambitious Klaus, the father of her young daughter, and on the other the sensitive Wolfgang, her flatmate, to whom she feels attracted. With the active help of the housemates, especially her mother Klucke, she finds out who her heart really beats for.

Berlin landlady Mrs. Klucke looks after the residents of Florentiner Strasse 73 like a mother, who could do with her help. When pregnant Brigitte is looking for a furnished room, she ends up with Mrs. Klucke. However, she has to make do with a spare room. At first Brigitte is quite disappointed that all sorts of residents and their guests regularly pass through the room, but over time she gets used to this situation. She soon comes to love the idiosyncrasies of the other residents of Florentine 73 and the motherly care of her landlady.

Ironically, at the beginning of the summer holidays, Alwins strict father has grounded him to get him to improve his spelling. Alwin feels like a prisoner and decides to run away heading to his grandparents in the Harz mountains nearly 200 kilometers away. On the road Alwin meets many people and with their help Alwin slowly progresses towards his destination.

Two-part TV movie about the inadequate production methods of a chemical plant, which come to light due to an accident and lead to numerous complaints. Against the resistance of the management, which tries to talk away all the difficulties, but with the support of the workforce, a party secretary sets about solving the problem.

In Frankfurt am Main, a red sports car crashes into a wall and bursts into flames along with the driver. Erika Bongert, the owner, was not in the car and is not questioned by the police. Her boyfriend is CIA agent Jack Treets, who is able to keep her out of everything. He is soon in trouble himself, as Erika puts him under pressure ... Another car races across a road, this time on the transit highway to West Berlin. Erika Bongert dies as a result. The Ministry for State Security soon realizes that the American secret service is involved.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Der Staatsanwalt hat das Wort was an East German television series.

In 1914 Berlin, bank heiress Leonore Wahl and struggling Munich student Werner Bertin fall passionately in love, defying class and her parents’ expectations. Their idyll is shattered by the outbreak of WWI: Werner, swept up in patriotic fervor, is conscripted to the Western Front, while Leonore, pregnant and abandoned, faces her family’s condemnation and a clandestine abortion. Set against the tumult of war, the film explores idealism, social divides, and the personal costs of duty and desire.