Wilhelm Gröhl

Seine Hoheit – Genosse Prinz

Kasper Mai, an export merchant and comrade with a “clean” record, discovers he is the prince of Hohenlohe-Liebenstein. His royal grandmother designates him as the heir to her estate. A private trip to her reveals that she does not want a NATO airbase built on her land. The GDR and his grandmother thus find a common interest, and a clever lawyer from the East works against other family members looking to settle their debts with the estate money.

Two Mothers

The story of two women, one French and the other German, who fight for a child who has been mistakenly taken by the Germans after a bomb raid.

Amor holt sich nasse Füße

A young woman does everything she can to catch the eye of her chosen one. In the end, she even goes into the water - wearing a diving suit. A cheerful underwater love story for GDR television, which also casually promotes the diving section of the pre-military Society for Sport and Technology in the GDR.

Ernst Thälmann – Son of the Working Class

This film is the first of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. In early November 1918, Ernst Thälmann is an unwilling soldier serving on the western front. As the revolutionary movement at home is threatened by the betrayal of the Social Democrats and fissures in the working class, Thälmann calls on his fellow soldiers to put down their weapons and unite with the workers in the communist struggle at home. Thälmann’s qualms about which side he is fighting on continue, but when the local police attempt to prevent a shipment of provisions and supplies from reaching the people in Petrograd, he intervenes and the ship is unloaded. With this moment of clarity, Thälmann continues to follow his political convictions and joins the workers at the Hamburg uprising in October 1923.

Der Andere neben dir

Two doctors, a German and a Czech brain surgeon, meet in a Berlin hospital, unaware of how fatefully they are linked by events from a dark past. A trip to a congress in Prague and an encounter with the wife of his Czech colleague force the German chief surgeon to rethink his previous life. The film deals with the explosive topic of the extent and causes of complicity in the crimes of National Socialism.

The Captain from Cologne

Albert Hauptmann is an out of work waiter in Cologne who is often confused with a former Captain of the Nazi Army. Albert uses this to his advantage and becomes the Director of the Montan Corporation, and a member of the West German Parliament. Herr Karjanke, the real Captain, learns of Albert’s ruse, and wants to claim his "rightful" position in Parliament. But Karjanke cannot come forward until his politicking "Doppelganger" succeeds in passing an amnesty law for war criminals. When Albert is finally brought before a judge on charges of fraud, he learns that this own amnesty law does not apply to him.

Florentiner 73

Berlin landlady Mrs. Klucke looks after the residents of Florentiner Strasse 73 like a mother, who could do with her help. When pregnant Brigitte is looking for a furnished room, she ends up with Mrs. Klucke. However, she has to make do with a spare room. At first Brigitte is quite disappointed that all sorts of residents and their guests regularly pass through the room, but over time she gets used to this situation. She soon comes to love the idiosyncrasies of the other residents of Florentine 73 and the motherly care of her landlady.

Lotte in Weimar

Johann Wolfgang von Goethe (1749-1832) was the author of Werther, the romantic novel that was transformed into a play during Goethe's lifetime and which initiated the whole German romantic movement. The book's story tells of young love and suicide. In this East German film, based on a book by Thomas Mann, Lotte (Lilli Palmer) was the woman who served as the model for the heroine in the novel Werther. She comes to Goethe's hometown for a visit, and her experiences there eerily re-create episodes from the book. Goethe comes across as a pompous old bore, and his friends as pandering sycophants, in this very proper communist party-sponsored, anti-heroic movie.