Maureen Selwood

A story of loss told through a daughter looking back on her mother’s life in rural Ireland who receives a package one day from the postman.

A woman’s voice obsessively uses numbers to tell us something while handling a set of rosary beads. This allows her to keep her memories alive and to give meaning to the traces left by her life.

Revisits the forgotten characters and deserted landscapes of Robert Aldrich’s classic film noir, KISS ME DEADLY (1955). Scenes re-photographed and then drawn over to produce a commentary on the artifice of cinema and memory.

With minimal tools and the limitation of a single image of a woman’s head a set of pearls activates a woman’s inner drive expressing freedom of movement. Animation suggests quickly a series of possible choices. The decision is ultimately hers. An animation exploring metamorphosis accompanied with music by Meredith Monk.

This is an animated documentary about FOOD! I interviewed vegetarian, vegan, pescetarian and meat eater about their opinions about food and life choices. Then I animate real food with stop-motion technique based on the interviews. By putting the conversations in different context, the food speak for themselves.

A woman finds a tape cassette at a yard sale. It comes with a drawing exercise, the upside down drawing lesson from DRAWING ON THE RIGHT SIDE OF THE BRAIN by Betty Edwards. The exercise becomes an obsession yet keeps the woman’s insomnia at bay. Her night visitors, animals of the night, allow her to reconnect with nature.

An animated film compiled by David Ehrlich consisting of 27 animators from different countries all explaining themselves through their animation.

"I think of Odalisque as my first film. It was completed after film school and I worked with just a graphite pencil, a small group of colored pencils and animation bond. It is a trilogy of amorous dreams coming from the imagination of a woman recalling her childhood, her beloved twin so difficult to separate from and becoming an adult sexual person. The aria Sempre Libera from La Triviata by Verdi opens the film and the poem Leda and the Swan by WB Yeats ends it. It was great to work with Michael Riesman who created the sound track. I loved working in NYC in those days with Robin McDaniel, Rebecca High and others." Preserved by the Academy Film Archive in 2017.