Yûji Aoki

Shangri-La follows the lives of a group of homeless people in Japan who run into a man who nearly commits suicide and decide to help him out of his financial troubles. Using their various ingenious resources they embark on a complex scheme to blackmail a crooked businessman, whose bankruptcy claim has put people out of work. It’s a fun romp as these seemingly homeless people manage to outsmart the very people who cast them from society.

Go, Go, Second Time Virgin is the story of two damned and abused teenagers who meet and fall in mutant love on a Tokyo rooftop. Their only hope is to cement their love with an escape into oblivion.

For a little extra money a college student agrees to pose as a nude model for a magazine. But she finds out too late that the magazine is a pornographic one. When it gets published it causes problems with her boyfriend who happens to see it. She is persuaded into do a few more sessions and each time the setups becomes more extreme. She begins to lose herself in heat of passion and doesn’t notice the camera is shooting when the action turns into the real thing.

Set in Edo-era Kyoto, this drama depicts the adolescent battles and the love between parents and children who are born and raised in the same tenement house.

After 15-year-old Yasuko has her first orgasm with a teacher, she and her disillusioned group of friends decide to turn to prostitution to gain a better understanding of what emotions truly are.

A masterpiece of militant cinema of 1968, filmed on the actual barricades of Adachi's very own Nihon University during the period of social struggles. The film begins in a lengthy free-love session taking the form of a 'play' rape being enacted by a group of aimless, listless and political apathetic students. The subtext intended by Adachi informs the rest of the film – that there is a world of difference between direct action politics, and merely talking the talk.