P. K. Raja Sandow

Thiruneelakantar is a 1939 Tamil-language film directed by Raja Sandow and starring M. K. Thyagaraja Bhagavathar. The film was a big hit and was known for M.K. Thyagaraja Bhagavathar's acting apart from his songs. Famous nadaswaram artist T. N. Rajarathinam Pillai makes a guest appearanace in the movie.The film was based on the life history of Thiruneelakanta Nayanar, one of the 63 Nayanmars.

A jaded socialite, Vinakumari, and her lover, Dr. Rasik, discover purpose at a Gandhian ashram. Vinakumari dedicates herself to the poor as the ashram battles challenges from urban temptation to famine and greedy landlords. Dr. Rasik eventually joins the cause, bringing much-needed medical aid to the struggling community.

Dharamdas, A fake philanthropist, sets up an ashram for poor women as a front for his dealing in black market grain. Inspectors Dayal and Comet (John Cawas) along with Sergeant Sunder (Shyam Sunder) vow to bring him to book. Dayal’s daughter Shanti (Fearless Nadia) and Sunder’s fiancé Mohini (Sona Chaterjee), join hands with the police to nab the crook, however Dharmads has Inspector Dayal murdered and vows to silence anyone else who gets near the truth of his criminal activity.

An early silent drama centered on a notorious "black thief"

A silent fantasy film centered on the court of the god Indra. Based on Agha Hasan Lakhnavi's play Indrasabha

Indian silent film starring Ruby Mayer (Sulochana), released in 1926.

Lily and Vasant's suicide pact is thwarted, leading to Lily's forced marriage. She cares for an invalid Vasant, causing her husband to disown her and ban her from their daughter, Indu. Years later, their paths collide. Lily, now a servant, meets Vasant again, who is painting her lawyer daughter, Indu. Their renewed death pact leads to Vasant's death and Lily's arrest. In a dramatic trial, Indu defends Lily, facing her boyfriend (the prosecutor) and her father (the judge).

The film follows the adventures of Aladdin and his finding a magical lamp which helps him in attaining the love of Princess Badar.

Children's mythological drawn from the Vishnu Purana telling of the child Krishna (Modak). The film intercuts Krishna's rural escapades with Pendya and other childhood friends with palace intrigues in Mathura, where Kans receives a divine warning that the boy Krishna shall be the cause of his death.

A melodrama suggesting that atheism is not a desirable option. Heroine Kusum (Gohar), the daughter of atheist millionaire Gumanchand (Bawa), is forced on to the streets when her father is jailed for fraud. She eventually meets the rich Rasiklal (E. Bilimoria), joins the stage and encounters her father once more when he tries to save her from a fire. The atheist father invokes the Almighty to save his daughter, but although she is saved she loses her eyesight. Other characters include the God-fearing but crooked tutor Indulal (Sandow) who later turns into a nice man after all, and Padma (Khatun), who exploits Rasiklal’s alcoholism to the benefit of her lover, Pyarelal.

A silent social drama exploring themes of treason and retribution. The film would have told a moralistic tale about a character who acts as an "enemy of the nation" and faces divine or karmic punishment for their actions.

The story revolves around a doctor living in the jungle with his daughter, surrounded by wild tribal people who are ruled by the jungle queen, Sheena.

A girl with an MA from Oxford rejects an 'idiot' chosen by her alcoholic father, and falls for the playboy.