J.B.H. Wadia

Directed by Homi Wadia.

Two warring families in the town of Sajalpur find their generational conflict tested when the arrogant son of one, Raya, falls truly in love with Soni, the daughter of the other, forcing him to confront his reckless nature and sparking a dramatic rivalry with a woman from the jungle also captivated by him.

Two sisters, Iqbal and Sharifa, battle for control of a kingdom. Iqbal wins, persecuting Sharifa, who is supported by Iqbal's husband. When Iqbal captures her brother-in-law, he stands firm in his ideals. The treacherous general's daughter, Bano, champions a pacifist campaign after losing her lover. With the help of the adventurous Nadia and Parsee Charlie, disguised as dancers, they infiltrate the enemy.

Hansa, daughter of Veer Singh, escapes an attack on her family by the villain Zalim Singh in which her mother is killed, her father injured and her sister Padma abducted. Growing up as a Harijan (an untouchable) she transforms the word to 'Hurricane', dons a mask and overthrows Zalim. She falls in love with Zalim's good son Diler. The horse Punjab-Ka-Beta features in its usual key role, rescuing Hansa when she hangs from a cliff, leaping over a wall of fire and aiding the love angle by nudging Diler into the pond where Hansa is having a bath.

The Wadia's, remake of Homi Master's 1932 silent film is a Ruritanian drama mainly featuring the stunts of the horse Punjab-Ka-Beta. Good King Mansingh (Tarapore) is dethroned by evil minister Zalim Singh (Khambatta). Princess Hansa (Husn Banu) transforms lover Prince Randhir (Sarda Mansoor) from an easy-going youth into the masked Hind Kesari, saviour of the poor.

Preceded by a legend describing its heroine as a 'Brave Indian girl who sacrificed royal luxuries to the cause of her people and her country', the story opens with a prologue showing Krishnavati and her infant son being thrown out of the house in a thunderstorm by the wicked Prime Minister Ranamal who also killed her brother. 20 years later the now adult son, Jaswant, is hit by a royal motor car and given a bag of gold in compensation. His refusal of the gift attracts the admiration of Princess Madhuri. When the nasty Ranamal, who wants to marry her, imprisons her father the king, she becomes the masked Hunterwali, 'protector of the poor and punisher of evildoers', and performer of stunts like jumping over a moving cartand fighting 20 soldiers at once. She steals Jaswant's prize horse, Punjab, but returns it later. Jaswant chances upon a nude Hunterwali bathing in the river and after a long duel captures her and takes her to Ranamal to claim his reward.

During a hunt, Munirshah meets with Sabeena and both fall in love with each other. He approaches her father for her hand, but is refused as she is cursed to turn into stone after her marriage, as her father was cursed by Gulnar, a Pari (Fairy), who had turned to stone on his touch. Munirshah seeks the help of generous Shahenshah-e-Yemen Haatim Bin Tai. They visit Sabeena's father's palace, view the stone bust of Gulnar. Haatim is told that he must solve seven puzzles and only after doing so will Gulnar return back to her normal self and take back her curse. Haatim agrees to do so and sets forth not realizing that he will be pitted against a half-bear half-woman; a cannibalistic giant named Irfan; merciless bandits; giant man-eating birds; be captured by Gulnar's father; and he will eventually end up as a captive to an invincible sorcerer, Kamlakh.

Oriental fantasy derived from classic Parsee theatre. The heir to the Yemeni throne, Prince Parviz, is falsely imprisoned by his stepmother who claims power. Parviz receives a magic dagger from a mystic sufi fakir to liberate himself and his people. The dagger makes him invisible. He kills the Apeman and the genii, rescues the captive Princess Parizad and, finally, overwhelms the soldiers sent to recapture him. The king learns the truth and repents.