Vida Neuwirthová

An absurd comedy about terrorism in the Czech Republic.

It is a story of three veterans released from the army. During one night spent camping in the country they one by one wake up and meet three elvish brothers. Each of the veterans is given a magic item - one gets magic harp that provides him with servants by wish, other one endless pouch of gold and the last one owns magic hat that can create all the staff excluding money and people.

The movie's main storyline follows the life of Otík, a young man, in a tight-knit village community. The sweet-tempered Otík works as an assistant truck driver with Mr. Pávek, his older colleague and practical-minded neighbor. Pávek's family takes care of Otík, whose parents are dead. However, the two coworkers become at odds over Otík's inability to perform even the simplest tasks. Pávek demands that Otík be transferred to assist another driver, who happens to be a choleric and suspicious man named Turek (Turk in Czech). Rather than work with Turek, Otík decides to accept an offer of employment in Prague, but finds he does not fit in to the city life. After discovering that the transfer of Otík to Prague was a trick by a crooked politician to get a deal on Otík's large inherited house, Pávek agrees to give Otík a second chance and retrieves him from the city to resume their work together.

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

Film makes the creative process visible by letting its narrative flow in the mind of a foreign director who is researching a film about Franz Kafka in Prague. Based on the principle of dreams and free association, segments unfold that deal with the various points of view that Kafka's work, personality and fate offer. In the labyrinth of his mind, the fictional director projects himself into situations from the author's life, with Kafka himself as his guide. At the same time, he delves into the history of the persecution of the Jews and glimpses the monstrosity of the bureaucratic apparatus that Kafka anticipated but could not have foreseen the monstrous size and function it would grow to a few years after his death in the institutionalized genocide and overall machinery of Nazism.

At the turn of the 10th and 11th centuries Boleslav's kingdom fell apart in the fratricidal war between the Přemyslovci and the other clans the main profiteer of this being the German emperor. At that time it seemed as if the Czech state and the lineage of its princes was awaiting its end..." It is with these words that the tale of this film begins, whose narrative is based upon the the play by František Hrubín of the same name.

Zdeněk Zaoral began filming this film in semi-amateur conditions, but it was eventually completed in a Zlín studio and released in cinemas. At its time, in the second half of the 1980s, it was the first completely open and also unusually raw statement about the course and consequences of drug addiction. The story of an eighteen-year-old girl who tries to escape her habit shows documentary values ​​- both in the staging and in the speech of the individual characters, in the authenticity of the drug-addicted environment.

The honest and a bit naive director of a variety agency, Jožin Petránek, sits on the qualification committee that judges entertainers and performers of all kinds. The man firmly rejects any favouritism. But at work and at home, he's in for nothing but trouble. The rejected "artists" protest, and Jožin's wife Anna would like to promote her friend's daughter into show business. His new secretary Zuzana starts to seduce him. Petranek finally succumbs to the French chansonnier Madelaine. But Zuzana calls Mrs. Petrankova and she drives her husband away from the table and the bed. Eventually, Jozhin loses his position as director and becomes an ordinary stage recruiter. Now the real showbiz hype is just beginning for him...