Akaki Khorava

Acting

Akaki Khorava

Born April 27, 1895 · Ochkhamuri, Kutaisi Governorate, Russian Empire [now Ajaria, Republic of Georgia]

Died June 23, 1972 · aged 77

Akaki Khorava was a Georgian and Soviet actor, theater director and pedagogue. He appeared in more than fifteen films from 1924 to 1965. He is best known for his performances in The Great Warrior Skanderbeg and Giorgi Saakadze

Known For

The Great Warrior SkanderbegThe Great Warrior Skanderbeg · 1953
The Great Warrior Skanderbeg
6.41953
MovieActionHistory
A biography of George Kastriot Skanderbeg widely known as Skanderbeg, a 15th-century Albanian lord who defended his land against the Ottoman Empire for more than two decades.
Horrors of the PastHorrors of the Past · 1925
Horrors of the Past
10.01925
MovieDrama
The Orange ValleyThe Orange Valley · 1937
The Orange Valley
8.01937
MovieActionComedy
The enemy of the collective farm movement, Kirile, with his advice, confuses the chairman of the collective farm “Orange Valley”, Tedo, who believes in his support. He tries to turn Tedo and Giorgi, who has recently returned from the civil service into enemies.
George SaakadzeGeorge Saakadze · 1942
George Saakadze
5.01942
MovieHistoryWar
The film tells about the struggle of the Georgian people under the leadership of the great commander George Saakadze for a centralized state.
MamelukeMameluke · 1958
Mameluke
6.51958
MovieDramaAction
In Arabic, “mameluke” means a white slave, a prisoner. In Egypt, this name was given to prisoners of war who had been sold into slavery from Georgia and other countries of the Caucasus. The action of this drama starts in Georgia in the late 18th century. Two friends are abducted and sold into slavery. One ends up in Egypt, the other - in Venice. Years later, they meet by the ancient pyramids, in the desert where a battle is going on between the armies of Bonaparte and Ali-bey, the ruler of Egypt. In a combat with a French officer, the Mameluke injures him. Falling from his horse onto the sand, the officer exclaims in Georgian: “Vai, nana!” (“Oh, mother!”). And the Mameluke recognizes in him a mate of his childhood games.
My GrandmotherMy Grandmother · 1929
My Grandmother
5.61929
MovieComedyDrama
The protagonist, a lazy pen-pusher, gets the sack for his bureaucratic idleness, and learns that the way back into the job market depends on getting a letter of recommendation from a "grandmother"
The Nail in the BootThe Nail in the Boot · 1931
The Nail in the Boot
6.61931
MovieDramaWar
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this film. The film sets out to illustrate the old adage, "For want of a nail, the battle was lost," showing how the inferior quality of something so trivial as a nail in a soldier's boot leads inexorably to the capture of an armored train. Kalatozov had intended to demonstrate the crucial and universal importance of efficiency in Soviet industry, but the government decided that his fable gave a negative impression of the Red Army's capabilities.
Mystery of LighthouseMystery of Lighthouse · 1924
Mystery of Lighthouse
10.01924
MovieDrama
19th century Russia. Georgian student falls in love with a young girl and is going to marry her. But the girl is in love with someone else. Aslan kills his rival and, escapes to Caucasus, where he gets married and tries to start a new life.

Filmography

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MamelukeMameluke · 1958
Mameluke
6.51958
MovieDramaAction
In Arabic, “mameluke” means a white slave, a prisoner. In Egypt, this name was given to prisoners of war who had been sold into slavery from Georgia and other countries of the Caucasus. The action of this drama starts in Georgia in the late 18th century. Two friends are abducted and sold into slavery. One ends up in Egypt, the other - in Venice. Years later, they meet by the ancient pyramids, in the desert where a battle is going on between the armies of Bonaparte and Ali-bey, the ruler of Egypt. In a combat with a French officer, the Mameluke injures him. Falling from his horse onto the sand, the officer exclaims in Georgian: “Vai, nana!” (“Oh, mother!”). And the Mameluke recognizes in him a mate of his childhood games.

Ali-Bei