Hector Dion

An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.

Dick Logan, a young writer, stops at a little border town and takes lodging at the Mexican Inn. Two tramps see the amount of money he has and plan to steal it. In the town he befriends a Mexican girl by stopping her uncle from beating her for having broken a water jar. Retiring to his room, he is awakened by the two tramps breaking into his room. He steals out and gets lodging at a nearby house, which happens to be the home of the Mexican girl and her uncle. The tramps follow him and try again. The girl, however, saves him from harm, and it looks as if Dick had found a real heroine for a real romance.

George Beban plays feisty Italian immigrant Luigi Riccardo, the eternal thorn in the side of New York political boss Regan (H.B. Carpenter). Fed up with Riccardo's interference in his graft-grabbing, Regan pulls a few strings and arranges for Riccardo and his family to be shipped back to Europe. But our hero's cause is championed by muckraking newspaper reporter Bump Rundle (Raymond Hatton), who takes on and exposes the Regan political machine.

A young female boarding house tenant becomes an unwanted object of male attention.

A small town marshal’s secret past as an outlaw comes back to haunt him when an old associate shows up and threatens to expose his former dark deeds.

After having been wrongly accused of murder and robbery, a heretofore kindly and gregarious weaver becomes a nasty, bitter, lonely old miser. Originally a seven-reel picture, a three-reel re-release survives.

When Donald Bayne, known in the North as The Wolf, loses his cabin to Steve Nolan in a backwoods court, he threatens and thrashes the new owner, then leaves him to tend to his traps. Upon his return, he discovers that Nolan has been killed in a shooting accident and that Bess Nolan, his niece, has moved into the cabin with Rose, her sister's child. Unable to evict her, The Wolf camps out next to the cabin, but soon realizes that this act has compromised her honor in the town. To correct the situation, he forces her into marriage, but she maintains a safe distance from him. When Bess's sister and "Snaky" Burns, her brother-in-law, kidnap Rose for use in their criminal activities, Bess implores Donald to intervene.

The daughter of a sea captain, the heroine falls in with a bad crowd and is soon working as a "hostess" (wink! wink!) in a cheap waterfront dive.

A Hollywood biographical film about a survivor's experience of the Armenian Genocide. Arshaluys (Aurora) Mardiganian plays herself in the film which is based on her published memoirs. It is thought to be the first film about made about genocide. All known complete copies of the film have been lost. A restored and edited 24-minute segment of the historic motion picture was released in 2009 by the Armenian Genocide Resource Center of Northern California. It is based on a rare surviving reel of film edited in Soviet Armenia.

Juanita Hansen as Princess Elyata of Tirzah, a "white goddess" ruling a hidden city, who saves American adventurers (George Chesebro and Frank Clark) from a treacherous slave trader, Gagga (Hector Dion), amid wild animal threats. Edited down from the 15 chapter serial "The Lost City"

This 15-chapter serial was produced by Colonel William N. Selig, the former mogul whose large assortment of wild animals became the nucleus of today's Los Angeles Zoo. Selig's ferocious fauna added authenticity to a story about yet another white goddess, Princess Elyata of Tirzah (Juanita Hansen), who comes to the rescue of Stanley Morton (George Chesebro) and his sidekick Mike Donovan (Frank Clark), a couple of Americans who foolishly wander into a village ruled by slave trader Gagga (Hector Dion).

Francesca, surrounded by ladies-in-waiting at the palace. Her father enters, and together they read a letter from Lanciotto, asking for the hand of Francesca. Both are overjoyed at the union of the two great houses in marriage, and the daughter retires to dress for Lanciotto's arrival.

Margery Carew and her widowed sister, Anna Prentice, find work in a brokerage firm, James Gray, the junior partner, soon falls in love with Margery, while his boss, William Cleves, does his best to seduce Anna. In fighting off William's advances, Anna kills him, but Margery, hoping to protect Anna's child, takes the blame and then escapes to the West, after which she gets married and begins a new life. Following a lengthy search, the police manage to track her down, but Margery still refuses to save herself by telling the truth about the murder, even though Anna and her child died several years before in a car crash. Finally, however, because he still loves her and because he has been stricken by a deadly disease that will kill him in a few months, James confesses to the murder, thereby freeing Margery to return to her husband.

Doctor Lambert takes his wife west to a mining town, where he can both minister and doctor. His wife is not happy and upon discovering she is pregnant, runs away with a gambler. He soon dumps her, and she comes back and dies giving birth to a baby girl. Lambert, out of his mind with rage, leaves the baby on a doorstep and vows to never have faith again. He returns to the mining town fifteen years later a drunkard. He meets young, kind Lily Sawyer and is greatly impressed by her compassionate nature. Meanwhile, the gambler has returned and decides to abduct Lily, but his partner recognizes Lambert and tells him Lily is his daughter. He kills the gambler before he can harm Lily and soon his faith returns.

The story of Canto V of the Inferno is briefly summarized. The film is a remake of The Two Brothers (a.k.a. Francesca di Rimini), and based on the play Francesca da Rimini by Gabriele D'Anunzio. Both films have Florence Turner and James Stuart Blackton starring and directing, respectively. The critics of the time panned the ending, which was said to be 'a pathetic fizzle'.