Karl Georg Külb

It's Saturday lunchtime in a small town near Munich and there's not much going on. The local bank is already closed, doors and windows are barred. The few passers-by in the main shopping street do not notice that a violent crime is being committed behind these windows. When the police later take up the investigation, a young bank employee becomes the only witness. His statements seem contradictory. And yet it is several other people who now have to struggle with conflicts of conscience. The more gaps in the police's chain of evidence, the more serious the decision to tell the truth and risk their own happiness. It's Saturday lunchtime in a small town near Munich and there's not much going on. The local bank is already closed, doors and windows are barred.

The first feature film to represent the Holocaust from a Jewish perspective. Shot on location at Landsberg, the largest DP camp in U.S.-occupied Germany, and mixing neorealist and expressionist styles, the film follows a Polish Jew and his family from pre-war Warsaw through Auschwitz and the DP camps.

Young Peter loses his job as a waiter on Lake Maggiore. Together with his girlfriend Conny, who works at a hotel, he tracks down some thieves. Together, they catch the thieves at a beauty pageant.

A young woman works for two different men, both of whom fall in love with her. In the mornings she is secretary for a popular author and in the afternoons for a singer. Which of them will she settle for?

A seductive dancer (Marika Rökk) helps her uncle to fight against the closing of his casino. Through her feminine charm she achieves diplomatic success.