Chandulal Shah

A jaded socialite, Vinakumari, and her lover, Dr. Rasik, discover purpose at a Gandhian ashram. Vinakumari dedicates herself to the poor as the ashram battles challenges from urban temptation to famine and greedy landlords. Dr. Rasik eventually joins the cause, bringing much-needed medical aid to the struggling community.

Gunsundari, the dutiful wife, acts as savior for her troubled joint family. Her father-in-law Shyamaldas battles alcoholism and accusations, while her husband Chandrakant falls prey to villains and a prostitute, losing his property. Gunsundari also aids her sister-in-law Sushila through marital woes, facing personal trouble due to a secret. Destitute, she eventually reunites with a similarly down-on-his-luck Chandrakant on the streets. A coincidence ultimately reveals Shyamaldas left his property to his estranged son, leading to a happy ending.

A classic modernization melodrama exploring the consequences of female autonomy.

A tearful melodrama about a progressive writer, Pushpa (Gohar), and her weak husband, Kulin (Billimoria). She has to fight her domineering mother-in-law and the tyrannies of a conservative household. When falsely accused of theft and infidelity by her wayward sister-in-law Gulab, Pushpa is forced out of the house. In her final state of penury, she recalls the examples of the great female Saint-Poets of Indian history, like Meerabai. Secondary characters are used to caricature Bombay's merchant class e.g. Mahatma Ramanand Adambar, a fortune-teller who suspects his wife of infidelity, and a gold collector called Prof. Pyarelal.

Gohar-centered adventure movie. She is the ruthless Princess Hansa determined to acquire a treasure map from rival King Sujansingh (Bawa). She daringly steals the map but the king's misogynist son, Dilipsingh (Bilimoria), manages to get it back. Together they are caught by the outlaw Vijay (Ishwarlal) who also wants the treasure. The film was replete with sword fights, tribal magic and a horse battle at the end when Sujansingh attacks his former friend Vijay to find his imprisoned son.

Indian silent film starring Ruby Mayer (Sulochana), released in 1926.

An atheist falls in love with a married devout woman who has forsaken materialistic life.

On the run from the police, an atheist masquerades as a religious icon.

Lily and Vasant's suicide pact is thwarted, leading to Lily's forced marriage. She cares for an invalid Vasant, causing her husband to disown her and ban her from their daughter, Indu. Years later, their paths collide. Lily, now a servant, meets Vasant again, who is painting her lawyer daughter, Indu. Their renewed death pact leads to Vasant's death and Lily's arrest. In a dramatic trial, Indu defends Lily, facing her boyfriend (the prosecutor) and her father (the judge).

A melodrama suggesting that atheism is not a desirable option. Heroine Kusum (Gohar), the daughter of atheist millionaire Gumanchand (Bawa), is forced on to the streets when her father is jailed for fraud. She eventually meets the rich Rasiklal (E. Bilimoria), joins the stage and encounters her father once more when he tries to save her from a fire. The atheist father invokes the Almighty to save his daughter, but although she is saved she loses her eyesight. Other characters include the God-fearing but crooked tutor Indulal (Sandow) who later turns into a nice man after all, and Padma (Khatun), who exploits Rasiklal’s alcoholism to the benefit of her lover, Pyarelal.

Surdas, a blind poet, embarks on a spiritual journey. He transforms into a revered saint, dedicating his life to crafting devotional poetry for Lord Krishna.

Laxmi, an "untouchable" woman fights for her community's rights against societal discrimination. She faces personal hardship and resistance from authorities, ultimately leading a movement for equality and temple access, while advocating for deeper societal change.

A rich child and a poor one are both unhappy and search for God in the Himalayas.

An heiress, played by Madhuri, who falls in love with her father's secretary played by Trilok Kapoor