Vladimir Maksimov

Documentary film about early years of Russian cinema: its first directors, cameramen, producers and actors. Includes rare fragments of pre-revolutionary feature films, newsreels and Starewicz's animation.

Paula is a circus performer married to the alcoholic clown-acrobat Lorio. Lorio's heavy drinking leads to him being severely injured during a performance. This forces Paula and the now-crippled Lorio to become street musicians. This film formerly ran to 81 minutes – regrettably, the second half is considered lost.

"The Living Corpse" - Fedor Protasov is tormented by the thought that his wife Liza never really made a clear choice between him and Victor Karenin, a more conventional rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he falls in with Gypsies, and into a sexual relationship with a Gypsy singer Mascha. Meanwhile, his wife Liza, presuming him dead, marries the other man, Victor.

Continuation of Chardynin's drama By the Fireplace. Lost film.

First film ever that was shot by two cameras. Set in 1854-1855, in Sevastopol and Yalta during the Crimean War. Admirals Kornilov (Mozzhukhin) and Nakhimov (Gromov) organize the defense during the siege of Sevastopol. Both admirals are killed during the battle, and the city of Sevastopol is taken by the alliance of British, French, Sardinian, and Turkish troops. The legendary feat of Sailor Koshka (Semenov) was staged at original location. The 100 minute-long film was premiered in 1911 at the Livadia, Yalta, palace for the Tsar Nicholas II.

Lost film.

The film recreates episodes from the December Uprising of 1825. Against the backdrop of the uprising, a love story unfolds between the Decembrist Annenkov and Polina Gebl.

Directed by Vladimir Gardin and Yakov Protazanov, this two-part epic was the most expensive Russian film at the time and smashed box office records. It is now considered lost, with only a 4 minute clip surviving.

Five-episode adaptation of the eponymous Russian novel, directed by Pyotr Chardynin et al.

The film is based on the words of a song performed by Iza Kremer in Odessa.

The Government of the fictional country Norland has unleashed a war with the neighboring Galikania and is suffering one defeat after another. A group of conspirators who were dissatisfied with this state of affairs, led by the Social Democrat Frank Frey arrange a coup to overthrew the emperor of Norland. But the working class does not like the new order either. Workers expose Frank Frey's policy of continuing the war and a revolution breaks out in the country. The leader of the socialist revolution becomes a mechanic of the name Franz Stark.

This is a Russian silent feature film by Vladimir Krivtsov, which marked the beginning of the "Russian Golden Series". The film is lost.

The film discovered in 1916, is the second part of two circus-themed films released in the same year. Daniel Rok is pulp fiction, one of the many attempts to create an action film, following the footsteps of the Danish, the French, and the Americans. A good quarter of Russian pre-revolutionary film industry consisted of pictures like this. A circus drama was almost a sub-genre of its own. What distinguishes this film is the involvement of actual circus performers, some of the biggest names in the industry, many of them having never made another film. One could only wish that all of them would perform their signature acts, like Sergei Alperov and his son Dmitry Alperov, the legendary acrobats. Instead, Williams Truzzi, arguably the most famous Russian circus jockey of his time, plays the villain, Tamara Gamsakurdia, a horseback dancer, appears as his innocent victim, and Nikolai Nikitin, who would soon become the owner and director of the Moscow circus, becomes the noble hero.