Roger Deutsch

1990, after the fall. A man struggles to survive in the forest, living alone in a small cabin. One day he spots a mysterious child in an abandoned summer camp.

Back in late 1963, a Belgian nun known only as Soeur Sourire, or Sister Smile, topped America's pop music charts with the relentlessly cheerful tune "Dominique," from an album of 12 songs that sold 1.5 million copies. From the little that is known of the ill-fated nun's life, Italy-based American writer-director Roger Deutsch has made the boldly speculative yet persuasive Italian-language film "Suor Sorriso" in which the nun (Ginevra Colonna) emerges as a tormented, unstable woman who abruptly left the convent after her recording triumph before taking her final vows. Running a shelter for wayward girls, she and another ex-nun (Simona Caparrini) enter a passionate, tumultuous and destructive affair. Colonna's volcanic Deckers craves spiritual redemption as well as the other woman's love but is so beset by demons that she embarks on a flamboyant, drug-fueled downward spiral that ultimately engulfs her lover as well as herself.

A reputed art critic convinces a young actress to play for him alone the role of a mysterious and seductive woman.

“Would I lie to you? All I do is dream of you!” “Don’t.”

In 1835 a French writer attempts the ascent of Mount Etna with a group of men, two mules, and a bottle of rum. Crossing the three areas of the volcano – the lower region, the fire region, and the desert region – they discover the enigmatic traces of unknown myths. New powerful eyes question the volcano, observe its every movement, and yearn to penetrate its secrets, and are faced with the most remote layers of matter and the depths of the technological gaze.

A teenager discovers that a military project involving a surveillance helicopter that uses artificial intelligence is being housed at a neighborhood hangar, but that the device is developing a mind of its own.

Filmed in 1974 and edited and released in 1983 (and then rereleased by its director in 2005), DEAD PEOPLE purports to document the final years of Frank Butler, a local fixture in the depressed burg of Ellicot City with a particular fondness for drink and tales of the dead. Over hazy 16mm footage two decades later, Deutsch adopted a painfully unsentimental view of his early approach, colored as it was by notions of ethnographic film and an undercurrent of fetishism for a man he considered somehow more "alive" than himself. While it chafes against notions of authenticity in documentary and incisively hints at the complicity of the subject in inventing his own history, DEAD PEOPLE simultaneously oozes nostalgia, transcending its own judgment as a gauzy memorial for the man Deutsch once called a friend.

Nada, a beautiful French journalist on assignment in New York, records the life and work of an up and coming punk rock star, Billy. Soon she enters into a volatile relationship with him and must decide whether to continue with it, or return to her lover, a fellow journalist trying to track down the elusive Andy Warhol.