Kurt Weill

The Gangster Macheath secretly marries the daughter of beggar king Peachum. When Peachum finds out, he instructs the police chief Brown to arrest and hang Macheath. If not, all the beggars of Soho will disturb the upcoming coronation.

A window dresser's kiss brings a statue of the Roman goddess of love to life.

In 19th century London, a young girl falls for a womanizing criminal and they decide to wed. Her family strongly disapproves so her father, 'the king of thieves', gets the gangster arrested.

In London at the turn of the century, underworld kingpin Mack the Knife marries Polly Peachum without the knowledge of her father, the equally enterprising 'king of the beggars'.

Commissioned to prepare Allied troops for the liberation of Europe, the film uses a blend of staged narratives and historical footage to promote solidarity and dispel the myth that France was a nation of willing collaborators.

Beneath the gilded ceilings of the Palais Garnier, Gustavo Dudamel takes us on a colorful journey between Spain and South America, performed by the Orchestra and singers of the Paris Opera Academy. The program includes works by Heitor Villa-Lobos, Leonard Bernstein, Astor Piazzolla, Enrique Granados, Kurt Weill, and others.

Mr. Morris, the owner of a large metropolitan department store, gives jobs to paroled ex-convicts in an effort to help them reform and go straight. Among his 'employed-prison-graduates' are Helen Roberts and Joe Dennis, working as sales clerks. Joe is in love with Helen and asks her to marry him, but she is forbidden to marry as she is still on parole, but she says yes and they are married. In spite of their poverty-level life, their marriage is a happy one until Joe discovers she has lied about her past, in order to marry him. Disillusioned, he leaves, goes back to his old gang and plans to rob the department store.

As London's East End scrubs up for the coronation, Mr and Mrs Peachum gear up for a bumper day in the beggary business. Keeping tight control of the city's underground – and their daughter’s whereabouts.

A biblical drama in four acts. Set in a synagogue where Jews hide all night as a pogrom rages outside, the story combines Biblical and pre-World War II Jewish history. The rabbi reads from the Torah, leading, in each act, to the exploration and re-enactment of a different Biblical theme. At the conclusion, the destruction of the Temple in Jerusalem and the deportation of those hiding become one, while the despair of a scattered people is balanced by a messianic voice that speaks of hope for deliverance of the Jews in Zion.

The main plot of this rampant collection of scenes from the streets of the lower East Side of New York revolves around Frank and Anna Maurrant and their daughter Rose. A violent and tough character, Frank fails to see his wife’s growing despair due to his lack of affection. When he discovers her with her lover, he shots them both and goes to jail, leaving behind a heartbroken Rose who, after having experienced relentless harassment by two aggressive suitors, misses her one true chance at love. The opera ends by showing the streets of New York City moving on from these mundane events in total indifference.

The story of Kurt Weill 's relationship with the American popular theatre. During his years in exile on Broadway, the composer of Mack the Knife and The Alabama Song, who personified decadent Berlin, found a new life in New York, creating such standards as September Song and Speak Low. Director Barrie Gavin describes the film as "the history of an artist ... struggling to write music which could have real meaning for the society he had just joined." Weill is remembered by the conductor Maurice Abravanel and the actor Burgess Meredith and there are extracts from several of his works.

Depicts the consumerism of the mythical city of Mahagonny, conveying all its ripe decadence. A Hollywood Babylon full of pyramidal towers, carved elephants, commodified sex and licensed gluttony. An opera in three acts, live from the Salzburger Festspiele, 1998. Conductor: Dennis Russell Davies. Stage Director: Peter Zadek.

A neurotic editor sees a psychoanalyst about the advertising man, movie star and other man in her life.

The French-language version of the The Threepenny Opera with a different cast from the German version.

A black South African minister searches the unfamiliar back alleys and shantytowns of Johannesburg for his son.

Anna I and Anna II set out on a seven year journey that takes them through a series of varied life experiences while their parents and two brothers remain behind.

A hard-hitting new production of Kurt Weill’s Rise and Fall of the City of Mahagonny by the Catalan collective La Fura dels Baus at the Teatro Real de Madrid. Composed in the 1930s by Kurt Weill and Bertolt Brecht, this is a mordant satire on capitalism and the inexorable industrialisation of a society in which the ultimate crime is not having money. In twenty scenes the authors tell the story of a city lost in the middle of a desert and run by three thugs; in Mahagonny food, sex, gambling and violence rule supreme.

The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck, a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven, whose sister Ulda happens to be dating his best friend, Ten Pin. After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.

Simon-Pierre Bestion celebrates the musical and cultural heritage of Paris' Notre-Dame with the La Tempête ensemble and a host of guests like Sabine Devieilhe and Olivier Latry, among others.

- Recorded live at Los Angeles Opera, 1 & 4 March 2007. Welcome to Mahagonny, where sin is "in" and love is always on sale. This Old West boomtown rises from the desert to become a razzle-dazzle mecca for lust, liberty, and the pursuit of pleasure. Cash is king, poverty is punishable by death, and anything worth doing is worth overdoing. Director John Doyle melds his Tony Award winning talent with the lyrics of influential playwright Bertolt Brecht and an incomparable score by Kurt Weill. The brilliant cast is led by superstars Audra McDonald, as the tart-with-a-heart `Jenny' and Patti LuPone, who portrays the town's feisty madam. Audra McDonald · Patti LuPone · Anthony Dean Griffey Robert Wörle · John Easterlin · Mel Ulrich Directed for Stage by John Doyle Chorus and Orchestra of the Los Angeles Opera James Conlon, conductor

The unhappy female editor of a fashion magazine is undergoing psychoanalysis.

At the helm of the Frankfurt Radio Symphony Orchestra, French conductor Marie Jacquot leads a rich program, with the participation of cellist Victor Julien-Laferrière.

Composed in the 1930s by Kurt Weill and Bertolt Brecht, this is a mordant satire on capitalism and the inexorable industrialization of a society in which the ultimate crime is not having money