Emílio Di Biasi

Transposition of the myth of Faust to modern Brazil. The heir to a bankrupt cigarette factory, amidst a personal crisis, leaves everything behind and heads for a supposed paradise he has seen in a tourist agency, where he believes he could find self-knowledge. In his search, he is inspired by a Mephisto-like character.

Telmo is a retired theater director that realizes he doesn't remember the time he spent kept in jail during the military dictatorship in Brazil. He decides to stage a play and, with threads of memory, he improvises the lines with his young cast. Telmo dives into his own history and ends up revealing for himself what, being so painful, he'd rather forget.

After a man dies under mysterious circumstances, his girlfriend and his gay lover deal with his death in different ways.

In a hotel room, three gorgeous women and a senator with strange habits.

In an empty city, scorched by the sun, the young and old confuse the fever of sunstroke with the delicate birth of passion. Like ghosts, they hover around buildings and endless flatlands in search of the ever elusive love. Inspired by 19th century Russian short stories, the plots weave and unravel together in the improbable city of Brasilia – a distorted mirror-image of the Soviet utopia – located in the heart of the Brazilian desert.

The lives of three teachers in the outskirts of São Paulo, their love lives, their interaction with the poor surroundings, their family problems.

Moments before a father's death, all of his family memories are transferred to his son through a dream, from the first ancestor, an Englishman living at the end of the 18th century, to his Brazilian heirs, the protagonists of this story.

Jose Inocencio had innocence only as part of his name, but only those who new him well could notice this. But nobody knew him. He was a storyteller, and he was always the main character in the stories he told. He managed not only to create stories about himself, he managed to create a legend. The story of this powerful cacao farmer; Maria Santa, the beloved wife who died; and their four children is the main theme of 'Renascer'.

In the struggle for land a vicious feud erupts between two men, who commit their families to a war without truce. Over two generations they are moved by love and by hatred in this epic saga of love for the land.

Ambitious Nice seeks social advancement through Rodrigo Medeiros, but ends up truly falling in love with him. This is the second version of the telenovela, originally aired in 1976.

Isaura was born in 1835, in the farm of Commender Almeida. She is the daughter of the slave Juliana and the tenant of the farm, Miguel. Juliana dies right after the birth, because she denied going to bed with the Commender. He whips her to death in revenge. So, Isaura is raised and educated by Gertrudes, wife of the Commender, who always wanted to have a daughter. In spite of her excellent education and the white skin, Isaura, as a daughter of a slave,will always be treated as a slave.

Facing a financial crisis, Guilherme receives an ultimatum: he must pay his overdue rent within 24 hours or face eviction from the Copacabana apartment—located in Rio de Janeiro's South Zone—where he lives with his family: his wife Joana, his children Kika, Beto, and Tatá, and his father Olavo. Left with no other option, they move into a large house in São Cristóvão (in the North Zone) lent to them by Joaquim, a Portuguese friend. The family struggles to adapt to the suburban neighborhood and cope with their lack of money. To overcome the crisis, Guilherme becomes a partner in Joaquim's auto repair shop.

Four teenagers, each facing a major conflict. Majô, the daughter of separated parents, has fallen in love with her mother Raquel’s husband, the teacher Túlio. Caíto, who is gay, lives in a dysfunctional home where his parents' marriage—Dirceu and Marilu’s—is going from bad to worse. Doca is a drug addict, and his sister Bia has become pregnant by her boyfriend, Michel. Their parents, Odilon and Paula, are deeply unhappy as well. Interwoven with their stories is that of Túlio—a former addict turned upstanding teacher—who encounters a haunting figure from his past: his ex-sister-in-law, Fernanda.

Pedro da Maia, meets a beautiful woman called Maria Monforte with whom he gets married despite his father's objection. The marriage produces a son, Carlos Eduardo, and a daughter. Some time later, Maria Monforte falls in love with Tancredo and runs away to Italy with him, taking her daughter along. When Pedro finds out, he goes with his son to his father's house where he commits suicide. Carlos stays at his grandfather's house and is educated by him. Carlos, becomes a doctor and opens his own office. Later he meets a gorgeous woman, Maria Eduarda. The two fall in love and have dozens of nights together. Eventually Carlos finds out later that Maria lied to him about her past and he starts fearing the worst. In the end, Carlos finds out that Maria is his sister. He informs her that they are siblings and that they cannot live like this anymore. Carlos, to forget his tragedies, goes for a trip around the world.

The miniseries chronicles the history of Acre, the last region to be annexed into Brazilian territory. For many years, the state—formerly part of Bolivia—attracted people from Brazil's Northeast and from abroad who left their hometowns in search of a better life through latex extraction. The relentless pursuit of new extraction sites took a toll on the natural environment, which was increasingly exploited in a predatory manner, and brought poverty to the region. The miniseries depicts this entire process, spanning a century, through three central figures: Galvez, Plácido de Castro, and Chico Mendes.