Luiz Ferraz

In Porto Alegre, Brazil, the Iberê Camargo Foundation Museum; in the city of Porto, Portugal, the office of Álvaro Siza, architect and author of the celebrated project for the institution's headquarters, inaugurated in 2008.

Futebóis dives into three different worlds of soccer, showcasing distinct yet powerful realities of how soccer serves as a major tool for social development. In the Quilombo in the backlands of Pernambuco, in the outskirts of Santo André, or in the amateur fields of São Paulo, soccer never stops. Futebóis offers a socio-political perspective on the diverse connections that soccer inspires in Brazil. Neither the muddy fields, the cracked asphalt, nor the socio-economic hardships have been able to prevent or discourage the practice of this sport. It was never just about soccer.

The documentary presents a group of women who are close to the 60s and share a common past: they were the base of the first women’s soccer team in Brazil.

Three stories of the fight against the advance of agribusiness, the expansion of mining and illegal logging in the Baixo Tapajós.

Started in the 1980s, the successful heritage listing process that preserves the architectural history of the Bixiga neighborhood is constantly at risk, but continues to be defended by the community. When a construction on a subway line reveals material traces of the existence of the first urban quilombo recognized in the state's history, the Afro-descendant community and allies come together in an attempt to avoid yet another erasure of their history. The documentary is a portrait of the various popular resistance initiatives in one of the most diverse and culturally vibrant neighborhoods in the capital of São Paulo.

Documentary about the life and work of the architect Paulo Mendes da Rocha, told by him in prominence for Joana, his daughter. With more than 80 years of age, Paulo Mendes is today one of the most important and renowned architects in the world, but, above all, he is a thinker who has controversial ideas and opinions about urbanism, nature, humanity, art and technique deserve to be heard. In a constant dialogue between interviewee / father and interviewer / daughter, Joana is the guiding thread of the film. As in all personal relationships, especially between parents and children, the thread that leads is also that which is conducted.