Acting

Sannosuke Fujikawa

Born March 22, 1889

Died April 20, 1943 · aged 54

No biography available.

Known For

Kurama TenguKurama Tengu · 1938
Kurama Tengu
7.01938
Movie
This is Kanjûrô Arashi's first film with Nikkatsu after his independent production company went bankrupt (many of these independent companies went bankrupt shortly after the transition to sound). As he is mostly famous for his portrait of Kurama tengu (and on the other hand, he's the definitive actor for Kurama Tengu as well), Nikkatsu made another version of Kurama tengu, co-directed by Masahiro Makino & Sadatsugu Matsuda who are both sons of Shozo Makino. Scripted by Yoshitake Hisa, a jidaigeki specialist who later scripted several Toei All-Star Jidaigeki.
Genghis KhanGenghis Khan · 1943
Genghis Khan
1943
MovieHistory
Filmed on location in the Mongolian plains.
Blood Spilled at TakadanobabaBlood Spilled at Takadanobaba · 1937
Blood Spilled at Takadanobaba
7.01937
MovieActionComedy
The tale of Nakayama Yasubei’s duel is famous, even if he in reality probably did not cut down 18 opponents. The story has been related in film, rakugo, kodan and on stage many times, in part because Nakayama later joined the famous 47 Ronin (Chushingura) as Horibe Yasubei. But Makino and Inagaki’s version gives no hint of this more serious future, playing up the thrills and the comedy with Bando’s bravura performance. The multiple pans of Yasubei running to the duel are an exemplar of the experimental flourishes of 1930s Japanese cinema and the final duel, performed virtually like a dance number, is a marker of Makino’s love of rhythm and one of the best sword fights in Japanese film history. The film was originally released under the title Chikemuri Takadanoba (Bloody Takadanobaba) with a length of 57 minutes, but suffered some cuts and a title change when it was re-released in 1952.
Maboroshijō dainiwa shi no senpūMaboroshijō dainiwa shi no senpū · 1940
Maboroshijō dainiwa shi no senpū
1940
MovieAction
The undercover agent Tsukinosuke Kigurumi successfully escapes with Kirisaku, who possesses the coveted Shinshu Mountain map targeted by the phantom gang, but loses the key to unlocking it. The one who picks up the key is Osumi, a female courier. (Existing version. Please excuse any deterioration in image quality due to original conditions.)
Initiation of the Two-Sword StyleInitiation of the Two-Sword Style · 1943
Initiation of the Two-Sword Style
6.01943
MovieDramaAction
Ito Daisuke's wartime retelling of the Miyamoto Musashi story.
Maboroshijō daiichiwa Hida no uzushioMaboroshijō daiichiwa Hida no uzushio · 1940
Maboroshijō daiichiwa Hida no uzushio
1940
MovieAction
Mt. Norikura's natural fortress, the phantom castle. A white-clad iron mask, offering prayers to the eerie triple-faced deity of the Sennjogadake Rocks - the lord of the phantom castle, scheming to overthrow the Tokugawa shogunate that destroyed his lord. Sent by the shogunate to infiltrate Hida, Kigurumi Tsukinosuke's cover is blown... (Existing version. Please excuse any deterioration in image quality due to original conditions.)
Date Masamune the One-Eyed DragonDate Masamune the One-Eyed Dragon · 1942
Date Masamune the One-Eyed Dragon
6.21942
MovieHistoryDrama
The life, adventures and exploits of warlord Date Masamune the One-eyed Dragon: his early youth as an aggressive warrior, the battles he won until subduing almost all his enemies, the lonely comprehension of knowing that he actually can not take over the whole country because he was born too late.
The March of the RestorationThe March of the Restoration · 1942
The March of the Restoration
1942
MovieHistory
The first film produced by Daiei.

Filmography

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Blood Spilled at TakadanobabaBlood Spilled at Takadanobaba · 1937
Blood Spilled at Takadanobaba
7.01937
MovieActionComedy
The tale of Nakayama Yasubei’s duel is famous, even if he in reality probably did not cut down 18 opponents. The story has been related in film, rakugo, kodan and on stage many times, in part because Nakayama later joined the famous 47 Ronin (Chushingura) as Horibe Yasubei. But Makino and Inagaki’s version gives no hint of this more serious future, playing up the thrills and the comedy with Bando’s bravura performance. The multiple pans of Yasubei running to the duel are an exemplar of the experimental flourishes of 1930s Japanese cinema and the final duel, performed virtually like a dance number, is a marker of Makino’s love of rhythm and one of the best sword fights in Japanese film history. The film was originally released under the title Chikemuri Takadanoba (Bloody Takadanobaba) with a length of 57 minutes, but suffered some cuts and a title change when it was re-released in 1952.